“I love you with an awful intensity. Sometimes when I just sit in a trance staring at a piece of paper, pen poised and immovable, longing for you and remembering you and imagining you. I love you horribly and beautifully.”

“I looked in the mirror and stared at my reflection, until I was in the head-clearing trance that comes when you stare at something for a long time.”

“Then she stood on tiptoe and kissed him sweetly on the lips, “I promise you a love affair with a sun-bathed Austrian princess beyond anything you imagine—in love, in beauty, in intensity. A love that will power you to the end of our time together. You are going to be a fortunate man, Geoffrey Ashbrook.”

“But how?" my students ask. "How do you actually do it?" You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind -- a scene, a locale, a character, whatever -- and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind.”

“I can't remember a day when I didn't love you. I loved you the day I practically knocked you out with a snowball. I loved you when I flattened the tires on your bike so I could walk you home.. So don't tell me I don't love you- Just don't tell me that.”

“I start laughing. You have to laugh. Life is just funny sometimes. As long as you remember.”