“As regards structure, comedy has come a long way since Shakespeare, who in his festive conclusions could pair off any old shit and any old fudge-brained slag (see Claudio and Hero in Much Ado) and get away with it. But the final kiss no longer symbolizes anything and well-oiled nuptials have ceased to be a plausible image of desire. That kiss is now the beginning of the comic action, not the end that promises another beginning from which the audience is prepared to exclude itself. All right? We have got into the habit of going further and further beyond the happy-ever-more promise: relationships in decay, aftermaths, but with everyone being told a thing or two about themselves, busy learning from their mistakes. So, in the following phase, with the obstructive elements out of the way (DeForest, Gloria) and the consummation in sight, the comic action would have been due to end, happily. But who is going to believe that any more?”

“The further you go, the more you have to be proud of. At the same time, in order to come a long way, you have to be behind to begin with. IN the end, though maybe it's not how you reach a place that matters. Just that you get there at all.”

“Surely all art is the result of one's having been in danger, of having gone through an experience all the way to the end, where no one can go any further.”

“If there were a way of putting an end to himself by some purely mental act he would put an end to himself at once, without further ado. His mind is full of stories of people who bring about their end - who methodically pay bills, write goodbye notes, burn old love letters, label keys, and then, once everything is in order, don their Sunday best and swallow down pills they have hoarded for the occasion and settle themselves on their neatly made beds and compose features for oblivion. Heroes all of them, unsung, unlauded. I am resolved not to be of any trouble.”

“What had started out as a game was now an open challenge, as well as a direct threat. Any further action would bear results, it was clear from the way his gaze smoldered into mine. In that way, it was like an optical erection.”

“We're no longer young men. We've lost any desire to conquer the world. We are refugees. We are fleeing from ourselves. From our lives. We were eighteen years old, and we had just begun to love the world and to love being in it; but we had to shoot at it. The first shell to land went straight for our hearts. We've been cut off from real action, from getting on, from progress. We don't believe in those things any more; we believe in the war.”