“...I think one shouldn't pussyfoot, and just say that you write the stuff that you would like to read. So you write for yourself, no doubt about that. But I do have a sort of romantic idea of someone in their twenties, of a certain bent, and when they pick up a book by me, they think--as I have done on several occasions--'Ah, here is one for me. Here is a writer who I'll have to read all of, because they're speaking directly to me, and they're writing what I want to read.' And sometimes you're doing the signing queue and a reader comes past and you sign the book, and there's a little exchange of the eyes, where you think, 'Ah, that's one of them.' So there is that ideal reader. And it's someone who's discovering literature and homes in on you. I'm aware of such readers.”

“I have advice for people who want to write. I don't care whether they're 5 or 500. There are three things that are important: First, if you want to write, you need to keep an honest, unpublishable journal that nobody reads, nobody but you. Where you just put down what you think about life, what you think about things, what you think is fair and what you think is unfair. And second, you need to read. You can't be a writer if you're not a reader. It's the great writers who teach us how to write. The third thing is to write. Just write a little bit every day. Even if it's for only half an hour — write, write, write.”

“A lot of teenagers write to me and say "I want to write a book. I want to get published." And those are two very different things. For the first one, that you want to write a book, I think is an excellent idea and you should totally do that because teenagers who want to write, you should be writing. You should be writing all the time like a maniac. Don't worry about the second bit, just yet because A. You need a lot of practice. You need to do it for, I'm not kidding, years. And then once you are published, it's a business. It's a job. Plus, every author I know was that teenager who sat in their room and read and wrote. That's who becomes an author, but that's what you have to do for a while before you become an author.”

“You learn to write by writing, and by reading and thinking about how writers have created their characters and invented their stories. If you are not a reader, don't even think about being a writer.”

“Venus, I’m sorry that you’ve gone on minding that I didn’t let you drive me to O’Hare. “That’s what we do,” you said: “We drive each other to and from the airport.” Do you realize how rare that is? No one does it anymore, not even newlyweds. All right – it was selfish of me to decline. I said it was because I didn’t want to say goodbye to you in a public place. But I think it was the asymmetry of it that was really troubling me. You and I, we drive each other to and from the airport. And I didn’t want a to when I knew there wouldn’t be a from.”

“You have made some notes, read some writing books, and done some research. Mostly what you've done is talk about writing a book. An idea for a book is not a book; it is a waste of time. There is no singular thing that makes someone a writer, but there is one thing that makes someone a joke--talking about writing a book without doing any work.”

“And quite right too. Thinking back, actually, 'self-infatuation' strikes me as a rather ill-chosen word. It isn't so much that I like or love myself. Rather, I'm sentimental about myself. (I say, is this normal for someone my age?) What do I think of Charles Highway? I think: 'Charles Highway? Oh, I like him. Yes, I've got a soft spot for old Charles. He's all right is Charlie. Chuck's ... okay.”