“Museum architectural search committees have invariably included the Kimbell in their international scouting tours of exemplary art galleries (a practice pioneered by Velma Kimbell, the founder’s widow, in 1964). Those groups no doubt respond to the Kimbell with suitable reverence, but given the buildings they later commissioned, many post-Bilbao museum patrons obviously wanted something quite different. The disparity between Kahn’s museums and recent examples of that genre parallels the discrepancy he saw between postwar Modernism and ancient Classicism: “Our stuff looks tinny compared to it.” At a time when commercial values are systematically corrupting the museum - one of civilized society’s most elevating experiences - the example of Kahn, among the most courageous and successful architectural reformers of all time, seems more relevant and cautionary than ever.”

“There is no greater motor for architecture than religious fervor. Ancient examples include the Inca, Aztec Egyptian civilizations. In more recent times, Christianity gave rise to the Gothic and Romanesque architecture of the European middle ages and Islam produced the wonders of the Ottoman Empire.”

“The total cost of the Federal Arts Project was only $23 million. Many of these paintings, sculptures and prints were given to museums, courthouses, public buildings. . .. I think that today those in museums alone are worth about $100 million.”

“As far as I can tell the only thing worth looking at in most museums of art is all the schoolgirls on daytrips with the art departments.”

“It seems more than a little patronizing for Westerners to lament the loss of the good old days when life in the Khumbu was so much simpler and more picturesque. Most of the people who live in this rugged country seem to have no desire to be severed from the modern world or the untidy flow of human progress. The last thing Sherpas want is to be preserved as specimens in an anthropological museum.”

“I am for an art that is political-erotical-mystical, that does something more than sit on its ass in a museum.”