“This boy," he said, indicating the paintings with one sweep of his arms, "was romantic. He thought that it was beauty that bound everything together. And for him it was true. Life had been beautiful for him. He was very young. He knew very little of life. He saw beauty but he did not feel any true passion. How could he? He did not know. He had not really encountered the force of beauty's opposite.""Are you more cynical now, then?" she asked him."Cynical," he frowned, "No, not that. I know that there is an ugly side of life-and not just human life. I know that everything is not simply beautiful. I am not a romantic as this boy was. But I am not a cynic either. There is something enduring in all of life, Anne, something tough. Something. Something terribly weak yet incredibly powerful...”

“There had always been something to worry him ever since he could remember, always something that distracted him in the pursuit of beauty. For he did pursue beauty, and, therefore, Margaret's speeches did flutter away from him like birds.”

“There was something lacking – in him, he thought, not in the place. He was not up to it. He was not strong enough to take what was so generously offered. He felt himself dry and arid, like a desert plant, in this beautiful oasis. Life on Anarres had sealed him, closed off his soul; the waters of life welled all around him, and yet he could not drink.”

“But the Esquire passage I found most poignant and revealing was this one: Mister Rogers' visit to a teenage boy severely afflicted with cerebral palsy and terrible anger. One of the boys' few consolations in life, Junod wrote, was watching Mister Rogers Neighborhood. 'At first, the boy was made very nervous by the thought that Mister Rogers was visiting him. He was so nervous, in fact, that when Mister Rogers did visit, he got mad at himself and began hating himself and hitting himself, and his mother had to take him to another room and talk to him. Mister Rogers didn't leave, though. He wanted something from the boy, and Mister Rogers never leaves when he wants something from somebody. He just waited patiently, and when the boy came back, Mister Rogers talked to him, and then he made his request. He said, 'I would like you to do something for me. Would you do something for me?' On his computer, the boy answered yes, of course, he would do anything for Mister Rogers, so then Mister Rogers said: I would like you to pray for me. Will you pray for me?' And now the boy didn't know how to respond. He was thunderstruck... because nobody had ever asked him for something like that, ever. The boy had always been prayed for. The boy had always been the object of prayer, and now he was being asked to pray for Mister Rogers, and although at first he didn't know how to do it, he said he would, he said he'd try, and ever since then he keeps Mister Rogers in his prayers and doesn't talk about wanting to die anymore, because he figures if Mister Rogers likes him, that must mean that God likes him, too.As for Mister Rogers himself... he doesn't look at the story the same way the boy did or I did. In fact, when Mister Rogers first told me the story, I complimented him on being smart - for knowing that asking the boy for his prayers would make the boy feel better about himself - and Mister Rogers responded by looking at me first with puzzlement and then with surprise. 'Oh heavens no, Tom! I didn't ask him for his prayers for him; I asked for me. I asked him because I think that anyone who has gone through challenges like that must be very close to God. I asked him because I wanted his intercession.”

“I want you to remember that in life you will encounter some very tough times, but you can find your strength in God. If there is something missing in your life, seek the Lord. If you once had Him in your life and now He seems far away, guess who moved? He is still there; just go to Him. He loves you with an everlasting love, and through obedience to Him all commitments will endure.”

“His life was cheap to him. Perhaps that's why he rode faster than any other, perhaps that was why he had walked into the house of Aquila without the quickening of a heartbeat: because at the heart of his courage was the fact that he really did not care if he died. Such courage is not true courage. True courage is when a man quakes with fear in the face of death, yet still risks his life for something he cares about. Ricardo Bruni did not know this yet, but he was to learn it soon.”