“Horses are mirrors. They'll show you back whatever you show them. Watch a man with a horse, and you'll see what's inside his own self.”
“Show God what yer made of, man. Pucker up and kiss the cross.”
“They were quiet for a time, alone with their thoughts, but then John sat up straight, struck by a thought. "There's a passage in Exodus - God tells Moses, 'No one can see My face, but I will protect you with My hand until I have passed by you, and then I will remove My hand and you will see My back.' Remember that?" Emilio nodded, listening. Well I always thought that was a physical metaphor," John said, "but, you know - I wonder now if it isn't really about time? Maybe that was God's way of telling us that we can never know His intentions, but as time goes on...we'll understand. We'll see where He was: we'll see His back.”
“Maybe that's the way to tell the dangerous men from the good ones. A dreamer of the day is dangerous when he believes that others are less: less than their own best selves and certainly less than he is. They exist to follow and flatter him, and to serve his purposes.A true prophet, I suppose, is like a good parent. A true prophet sees others, not himself. He helps them define their own half-formed dreams, and puts himself at their service. He is not diminished as they become more. He offers courage in one hand and generosity in the other.”
“Dachshunds have their own agenda and can be stubborn about seeing their plans through to completion. What Rosie lacked in consistency, she made up for in enthusiasm. Most of the time when I called her name, she sprinted back, her long ears cocked and flying like a little girl's pigtails. Each encounter was a glorious reunion, even if we'd been parted for only a minute or two. I had never felt so loved.”
“Watching him with one eye, she wondered if men ever figured out that they were more appealing when they were pursuing their own work than when they were pursuing a woman.”
“There's a series of sculptures there by Michelangelo that you should see. They are called The Captives. Out of a great formless mass of stone, the figures of slaves emerge: heads, shoulders, torsos, straining toward freedom but still held fast in the stone. There are souls like that, Reyes. There are souls that try to carve themselves from their own formlessness.”