“There's a series of sculptures there by Michelangelo that you should see. They are called The Captives. Out of a great formless mass of stone, the figures of slaves emerge: heads, shoulders, torsos, straining toward freedom but still held fast in the stone. There are souls like that, Reyes. There are souls that try to carve themselves from their own formlessness.”

“The great artist Michelangelo claimed that his sculptures were already present in the stone, and all he had to do was carve away everything else. Our understanding of identity is often similar: Beneath the many layers of shoulds and shouldn’ts that cover us, there lies a constant, single, true self that is just waiting to be discovered.”

“Our age has built itself vast reservoirs of power / formless as the straining energy that it wrests from the earth.”

“The best artifact was the calendar of the ancients, a great carved piece of stone as big as a kitchen, circular, bolted to the wall like a giant clock. In the center was an angry face looking out, as if he'd come through that stone from some other place to have a look at us, and not very pleased about it.”

“Who said it? – probably Confucius – “I can’t beat a sculpture from a stone with a sledgehammer; I can’t free the soul of man by violence.” Peace was here, peace was now. Peace promised in any other time or place was a lie.”

“...a butterfly is like the soul of a person, it dries out in captivity.”