“Until you get the measure of your own soul, Jim, don't be quick to condemn a priest, or anyone else for that matter. I'm not scolding you, sweetheart," she said hurriedly. "It's just that, until you've been there, you can't know what it's like to hold yourself to promises you made in good faith a long time ago. Do you hang in there, or cut your losses? Soldier on, or admit defeat and try to make the best of things?" She'd looked a little sheepish then and admitted, "You know, I used to be a real hardass about stuff like this. No retreat, no surrender! But now? Jimmy, I honestly don't know if the world would be better or worse if we all held ourselves to the vows of our youth.”

“Feelings are facts. Look straight at 'em and deal with 'em. Work it through, as honestly as you can. If God is anything like a middle-class white chick from the suburbs, which I admit is a long shot, it's what you do about what you feel that matters.”

“we all make vows, Jimmy. And there is something very beautiful and touching and noble about wanting good impulses to be permanent and true forever," she said. "Most of us stand up and vow to love, honor and cherish someone. And we truly mean it, at the time. But two or twelve or twenty years down the road, the lawyers are negotiating the property settlement." "You and George didn't go back on your promises." She laughed. "Lemme tell ya something, sweetface. I have been married at least four times, to four different men." She watched him chew that over for a moment before continuing, "They've all been named George Edwards but, believe me, the man who is waiting for me down the hall is a whole lot different animal from the boy I married, back before there was dirt. Oh, there are continuities. He has always been fun and he has never been able to budget his time properly and - well, the rest is none of your business." "But people change," he said quietly. "Precisely. People change. Cultures change. Empires rise and fall. Shit. Geology changes! Every ten years or so, George and I have faced the fact that we have changed and we've had to decide if it makes sense to create a new marriage between these two new people." She flopped back against her chair. "Which is why vows are such a tricky business. Because nothing stays the same forever. Okay. Okay! I'm figuring something out now." She sat up straight, eyes focused somewhere outside the room, and Jimmy realized that even Anne didn't have all the answers and that was either the most comforting thing he'd learned in a long time or the most discouraging. "Maybe because so few of us would be able to give up something so fundamental for something so abstract, we protect ourselves from the nobility of a priest's vows by jeering at him when he can't live up to them, always and forever." She shivered and slumped suddenly, "But, Jimmy! What unnatural words. Always and forever! Those aren't human words, Jim. Not even stones are always and forever.”

“You know how people say, Don't borrow trouble? Well, said Morgan, I guess it's the opposite of that. Doc is borrowing happiness.”

“They were quiet for a time, alone with their thoughts, but then John sat up straight, struck by a thought. "There's a passage in Exodus - God tells Moses, 'No one can see My face, but I will protect you with My hand until I have passed by you, and then I will remove My hand and you will see My back.' Remember that?" Emilio nodded, listening. Well I always thought that was a physical metaphor," John said, "but, you know - I wonder now if it isn't really about time? Maybe that was God's way of telling us that we can never know His intentions, but as time goes on...we'll understand. We'll see where He was: we'll see His back.”

“You know what I think? Ten percent of any group of human beings are shitheads. Catholics, Jews. Germans, Italians. Pilots, priests. Teachers, doctors, shopkeepers. Ten percent are shitheads. Another ten percent -- salt of the earth! Saints! Give you the shirts off their backs. Most people are in the middle, just trying to get by.”

“There's a series of sculptures there by Michelangelo that you should see. They are called The Captives. Out of a great formless mass of stone, the figures of slaves emerge: heads, shoulders, torsos, straining toward freedom but still held fast in the stone. There are souls like that, Reyes. There are souls that try to carve themselves from their own formlessness.”