“And I do not want anymore to be useful, to be docile, to lead / children out of the fields into the text / of civility, to teach them that they are (they are not) better than the grass.”

“The Poet With His Face In His HandsYou want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound.So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself acrossthe forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheetslike crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all youwant and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touchedby the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.”

“Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath?”

“It is better for the heart to break, than not to break.”

“And to tell the truth I don't want to let go of the wrists of idleness, I don't want to sell my life for money, I don't even want to come in out of the rain.”

“I stood willingly and gladly in the characters of everything - other people, trees, clouds. And this is what I learned, that the world's otherness is antidote to confusion - that standing within this otherness - the beauty and the mystery of the world, out in the fields or deep inside books - can re-dignify the worst-stung heart.”

“When Death ComesWhen death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it's over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world”