“Crossing the Swamp"Here is the endlesswet thickcosmos, the centerof everything—the nuggetof dense sap, branchingvines, the dark burredfaintly belchingbogs. Hereis swamp, hereis struggle,closure—pathless, seamless,peerless mud. My bonesknock together at the palejoints, tryingfor foothold, fingerhold,mindhold oversuch slick crossings, deephipholes, hummocksthat sink silentlyinto the black, slackearthsoup. I feelnot wet so much aspainted and glitteredwith the fat grassymires, the richand succulent marrowsof earth—a poordry stick givenone more chance by the whimsof swamp water—a boughthat still, after all these years,could take root,sprout, branch out, bud—make of its life a breathingpalace of leaves.”

“Did you too see it, drifting, all night, on the black river?Did you see it in the morning, rising into the silvery air -An armful of white blossoms,A perfect commotion of silk and linen as it leanedinto the bondage of its wings; a snowbank, a bank of lilies,Biting the air with its black beak?Did you hear it, fluting and whistlingA shrill dark music - like the rain pelting the trees - like a waterfallKnifing down the black ledges?And did you see it, finally, just under the clouds -A white cross Streaming across the sky, its feetLike black leaves, its wings Like the stretching light of the river?And did you feel it, in your heart, how it pertained to everything?And have you too finally figured out what beauty is for?And have you changed your life?”

“The Poet With His Face In His HandsYou want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound.So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself acrossthe forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheetslike crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all youwant and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touchedby the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.”

“maybe deathisn't darkness, after all,but so much lightwrapping itself around us--”

“oxygen Everything needs it: bone, muscles, and even, while it calls the earth its home, the soul. So the merciful, noisy machine stands in our house working away in its lung-like voice. I hear it as I kneel before the fire, stirring with a stick of iron, letting the logs lie more loosely. You, in the upstairs room, are in your usual position, leaning on your right shoulder which aches all day. You are breathing patiently; it is a beautiful sound. It is your life, which is so close to my own that I would not know where to drop the knife of separation. And what does this have to do with love, except everything? Now the fire rises and offers a dozen, singing, deep-red roses of flame. Then it settles to quietude, or maybe gratitude, as it feeds as we all do, as we must, upon the invisible gift: our purest, sweet necessity: the air.”

“I thought the earth remembered me,she took me back so tenderly,arranging her dark skirts, her pocketsfull of lichens and seeds.I slept as never before, a stone on the river bed,nothing between me and the white fire of the starsbut my thoughts, and they floated light as mothsamong the branches of the perfect trees.All night I heard the small kingdomsbreathing around me, the insects,and the birds who do their work in the darkness.All night I rose and fell, as if in water,grappling with a luminous doom. By morningI had vanished at least a dozen timesinto something better.”

“When Death ComesWhen death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it's over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world”