“I stood willingly and gladly in the characters of everything - other people, trees, clouds. And this is what I learned, that the world's otherness is antidote to confusion - that standing within this otherness - the beauty and the mystery of the world, out in the fields or deep inside books - can re-dignify the worst-stung heart.”

“DAISIESIt is possible, I suppose that sometimewe will learn everythingthere is to learn: what the world is, for example,and what it means. I think this as I am crossingfrom one field to another, in summer, and themockingbird is mocking me, as one who eitherknows enough already or knows enough to beperfectly content not knowing. Song being bornof quest he knows this: he must turn silentwere he suddenly assaulted with answers. Insteadoh hear his wild, caustic, tender warbling ceaselesslyunanswered. At my feet the white-petalled daisies displaythe small suns of their center piece, their -- if you don'tmind my saying so -- their hearts. Of courseI could be wrong, perhaps their hearts are pale andnarrow and hidden in the roots. What do I know?But this: it is heaven itself to take what is given,to see what is plain; what the sun lights up willingly;for example -- I think thisas I reach down, not to pick but merely to touch --the suitability of the field for the daisies, and thedaisies for the field.”

“You can have the other words-chance, luck, coincidence, serendipity. I'll take grace. I don't know what it is exactly, but I'll take it. ”

“The woods that I loved as a child are entirely gone. The woods that I loved as a young adult are gone. The woods that most recently I walked in are not gone, but they’re full of bicycle trails. And this is happening to the world, and I think it is very very dangerous for our future generations, those of us who believe that the world is not only necessary to us in its pristine state, but it is in itself an act of some kind of spiritual thing. I said once, and I think this is true, the world did not have to be beautiful to work. But it is. What does that mean?[from 'A Thousand Mornings' With Poet Mary Oliver for NPR Books]”

“The Poet With His Face In His HandsYou want to cry aloud for your mistakes. But to tell the truth the world doesn’t need anymore of that sound.So if you’re going to do it and can’t stop yourself, if your pretty mouth can’t hold it in, at least go by yourself acrossthe forty fields and the forty dark inclines of rocks and water to the place where the falls are flinging out their white sheetslike crazy, and there is a cave behind all that jubilation and water fun and you can stand there, under it, and roar all youwant and nothing will be disturbed; you can drip with despair all afternoon and still, on a green branch, its wings just lightly touchedby the passing foil of the water, the thrush, puffing out its spotted breast, will sing of the perfect, stone-hard beauty of everything.”

“eventually tides will be the only calendar you believe in…And someone’s face, whom you love, will be as a starBoth intimate and ultimate, And you will be heart-shaken and respectful. And you will hear the air itself, like a beloved, whisperOh let me, for a while longer, enter the twoBeautiful bodies of your lungs...Look, and look again.This world is not just a little thrill for your eyes.It’s more than bones.It’s more than the delicate wrist with its personal pulse.It’s more than the beating of a single heart.It’s praising.It’s giving until the giving feels like receiving.You have a life- just imagine that!You have this day, and maybe another, and maybeStill another…And I have become the child of the clouds, and of hope.I have become the friend of the enemy, whoever that is.I have become older and, cherishing what I have learned, I have become younger.And what do I risk to tell you this, which is all I know?Love yourself. Then forget it. Then, love the world.”

“I tell you thisto break your heart,by which I mean onlythat it break open and never close againto the rest of the world.”