“In Our Woods, Sometimes a Rare MusicEvery springI hear the thrush singingin the glowing woodshe is only passing through.His voice is deep,then he lifts it until it seemsto fall from the sky.I am thrilled.I am grateful.Then, by the end of morning,he's gone, nothing but silenceout of the treewhere he rested for a night.And this I find acceptable.Not enough is a poor life.But too much is, well, too much.Imagine Verdi or Mahlerevery day, all day.It would exhaust anyone.”

“Sometimes I dreamthat everything in the world is here, in my room, in a great closet, named and orderly,and I am here too, in front of it, hardly able to see for the flash and the brightness—and sometimes I am that madcap person clapping my hands and singing; and sometimes I am that quiet person down on my knees.”

“How I go to the woodOrdinarily, I go to the woods alone, with not a singlefriend, for they are all smilers and talkers and therefore unsuitable.I don’t really want to be witnessed talking to the catbirds or hugging the old black oak tree. I have my way of praying, as you no doubt have yours. Besides, when I am alone I can become invisible. I can siton the top of a dune as motionless as an uprise of weeds, until the foxes run by unconcerned. I can hear the almostunhearable sound of the roses singing.If you have ever gone to the woods with me, I must loveyou very much.”

“The woods that I loved as a child are entirely gone. The woods that I loved as a young adult are gone. The woods that most recently I walked in are not gone, but they’re full of bicycle trails. And this is happening to the world, and I think it is very very dangerous for our future generations, those of us who believe that the world is not only necessary to us in its pristine state, but it is in itself an act of some kind of spiritual thing. I said once, and I think this is true, the world did not have to be beautiful to work. But it is. What does that mean?[from 'A Thousand Mornings' With Poet Mary Oliver for NPR Books]”

“Percy wakes me (fourteen)Percy wakes me and I am not ready.He has slept all night under the covers.Now he’s eager for action: a walk, then breakfast.So I hasten up. He is sitting on the kitchen counter Where he is not supposed to be. How wonderful you are, I say. How clever, if you Needed me, To wake me. He thought he would a lecture and deeply His eyes begin to shine.He tumbles onto the couch for more compliments.He squirms and squeals: he has done something That he needed And now he hears that it is okay. I scratch his ears. I turn him over And touch him everywhere. He isWild with the okayness of it. Then we walk, then He has breakfast, and he is happy.This is a poem about Percy.This is a poem about more than Percy.Think about it.”

“LandscapeIsn't it plain the sheets of moss, except thatthey have no tongues, could lectureall day if they wanted aboutspiritual patience? Isn't it clearthe black oaks along the path are standingas though they were the most fragile of flowers?Every morning I walk like this aroundthe pond, thinking: if the doors of my heartever close, I am as good as dead.Every morning, so far, I'm alive. And nowthe crows break off from the rest of the darknessand burst up into the sky—as thoughall night they had thought of what they would like their lives to be, and imaginedtheir strong, thick wings.”

“Sometimes I needonly to standwherever I am to be blessed.”