“Tom Dancer’s gift of a whitebark pine coneYou never know What opportunity Is going to travel to you, Or through you.Once a friend gave me A small pine cone- One of a few He found in the scatOf a grizzly In Utah maybe, Or Wyoming. I took it homeAnd did what I supposed He was sure I would do- I ate it, ThinkingHow it had traveled Through that rough And holy body. It was crisp and sweet.It was almost a prayer Without words. My gratitude, Tom Dancer, For this gift of the world I adore so much And want to belong to. And thank you too, great bear”

“Someone I loved once gave me a box full of darkness. It took me years to understand that this too, was a gift.”

“The Uses Of Sorrow(In my sleep I dreamed this poem)Someone I loved once gave mea box full of darkness.It took me years to understandthat this, too, was a gift.”

“DAISIESIt is possible, I suppose that sometimewe will learn everythingthere is to learn: what the world is, for example,and what it means. I think this as I am crossingfrom one field to another, in summer, and themockingbird is mocking me, as one who eitherknows enough already or knows enough to beperfectly content not knowing. Song being bornof quest he knows this: he must turn silentwere he suddenly assaulted with answers. Insteadoh hear his wild, caustic, tender warbling ceaselesslyunanswered. At my feet the white-petalled daisies displaythe small suns of their center piece, their -- if you don'tmind my saying so -- their hearts. Of courseI could be wrong, perhaps their hearts are pale andnarrow and hidden in the roots. What do I know?But this: it is heaven itself to take what is given,to see what is plain; what the sun lights up willingly;for example -- I think thisas I reach down, not to pick but merely to touch --the suitability of the field for the daisies, and thedaisies for the field.”

“In your handsThe dog, the donkey, surely they know They are alive.Who would argue otherwise?But now, after years of consideration, I am getting beyond that.What about the sunflowers? What about The tulips, and the pines?Listen, all you have to do is start and There’ll be no stopping.What about mountains? What about water Slipping over rocks?And speaking of stones, what about The little ones you can Hold in your hands, their heartbeats So secret, so hidden it may take yearsBefore, finally, you hear them?”

“GOING TO WALDENIt isn't very far as highways lie.I might be back by nightfall, having seenThe rough pines, and the stones, and the clear water.Friends argue that I might be wiser for it.They do not hear that far-off Yankee whisper:How dull we grow from hurrying here and there!Many have gone, and think me half a foolTo miss a day away in the cool country.Maybe. But in a book I read and cherish,Going to Walden is not so easy a thingAs a green visit. It is the slow and difficultTrick of living, and finding it where you are.”

“I went down not long agoto the Mad River, under the willowsI knelt and drank from that crumpled flow, call itwhat madness you will, there's a sicknessworse than the risk of death and that'sforgetting what we should never forget.Tecumseh lived here.The wounds of the pastare ignored, but hang onlike the litter that snags among the yellow branches,newspapers and plastic bags, after the rains.Where are the Shawnee now?Do you know? Or would you have to write to Washington, and even then,whatever they said,would you believe it? SometimesI would like to paint my body red and go intothe glittering snowto die.His name meant Shooting Star.From Mad River country north to the borderhe gathered the tribesand armed them one more time. He vowedto keep Ohio and it took himover twenty years to fail.After the bloody and final fighting, at Thames,it was over, excepthis body could not be found,and you can do whatever you want with that, sayhis people came in the black leaves of the nightand hauled him to a secret grave, or thathe turned into a little boy again, and leapedinto a birch canoe and wentrowing home down the rivers. Anywaythis much I'm sure of: if we meet him, we'll know it,he will still beso angry.”