“What misery to be afraid of death.What wretchedness, to believe only in what can be proven.”

“The salamanders,like tiny birds, locked into formation,fly down into the endless mysteriesof the transforming water,and how could anyone believethat anything in this worldis only what it appears to be—that anything is ever final—that anything, in spite of its absence,ever diesa perfect death?(from the poem 'What Is It?')”

“You can have the other words-chance, luck, coincidence, serendipity. I'll take grace. I don't know what it is exactly, but I'll take it. ”

“In your handsThe dog, the donkey, surely they know They are alive.Who would argue otherwise?But now, after years of consideration, I am getting beyond that.What about the sunflowers? What about The tulips, and the pines?Listen, all you have to do is start and There’ll be no stopping.What about mountains? What about water Slipping over rocks?And speaking of stones, what about The little ones you can Hold in your hands, their heartbeats So secret, so hidden it may take yearsBefore, finally, you hear them?”

“The woods that I loved as a child are entirely gone. The woods that I loved as a young adult are gone. The woods that most recently I walked in are not gone, but they’re full of bicycle trails. And this is happening to the world, and I think it is very very dangerous for our future generations, those of us who believe that the world is not only necessary to us in its pristine state, but it is in itself an act of some kind of spiritual thing. I said once, and I think this is true, the world did not have to be beautiful to work. But it is. What does that mean?[from 'A Thousand Mornings' With Poet Mary Oliver for NPR Books]”

“Can You Imagine?For example, what the trees donot only in lightening stormsor the watery dark of a summer's nightor under the white nets of winterbut now, and now, and now - wheneverwe're not looking. Surely you can't imaginethey don't dance, from the root up, wishingto travel a little, not cramped so much as wantinga better view, or more sun, or just as avidlymore shade - surely you can't imagine they juststand there loving everyminute of it, the birds or the emptiness, the dark ringsof the years slowly and without a soundthickening, and nothing different unless the wind,and then only in its own mood, comesto visit, surely you can't imaginepatience, and happiness, like that.”

“I stood willingly and gladly in the characters of everything - other people, trees, clouds. And this is what I learned, that the world's otherness is antidote to confusion - that standing within this otherness - the beauty and the mystery of the world, out in the fields or deep inside books - can re-dignify the worst-stung heart.”