“I was only beginning to enter into the infinite subtlety of Gregorian chant. It was - and remains - the only public prayer I have ever been able to engage in without feeling like a phony and a jackass. But then, one day in 1965 or so, it was simply abolished. With a stroke of his pen, Pope John XXIII - who had such good ideas about other things - declared that liturgy would henceforth be in the vernacular language of the people. That was, effectively, the end of Latin chant.Then all those monks and nuns who had devoted hours and hours a day began to sicken and fall into depressions, but nobody noticed for a long time. Maybe, as I can well believe, the music toned up their systems in some mysterious way. Or perhaps chant really was a language that God understood. Faced with numerous liturgical scholas shrieking away in the new vernacular hymns, Divinity may have covered its ears and withdrawn, leaving the monks to pine. We parish musicians, illiterate in anything written after the 13th century, stumbled around trying to score liturgies for guitar and bongo drums, trying to make sense of texts like "Eat his body! Drink his blood!"It wasn't because the music got so bad that I quit going to Mass, but it certainly was the beginning of my doubts about papal infallibility.”

“It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.”

“I might like to believe that every day, every hour, every minute of every hour of every day with Henry was *not* the happiest time I ever knew. I might like to believe that I am remembering it that way only because the happiest time ever makes it a better story. Because that's all you have left after people are gone from you, some things and some stories.”

“I'm never really comfortable at parties. Maybe I'm just not the partying type....I think it's because I'm never sure what to do with myself.I mean, there're drinks, but I don't like being drunk.... There's music, but I never really learned to dance to anything that involved an electric guitar. There are people to talk to...but once you put all the stupid things I do aside, I'm really not that interesting. I like reading, staying home, going on walks with my dog.... Who wants to hear about that? Especially when I would have to scream it over music to which no one dances.So I'm there but not drinking, listening to music but not dancing, and trying to have conversations with near-strangers about anything other than my own stupid life.... Leads to a lot of awkward pauses. And then I start wondering why I showed up in the first place."-- Cold Days (The Dresden Files Book 14), pg. 33”

“He shook his head. "Some people think that they like music,but they have no idea what it's really about. They're kindding themselves. Then there are people who feel strongly about music, but just aren't listening to the right stuff. They're misguided. And then there are people like me." ... "People like you," I said. "What kind of people are those?" ..."The kind who live for music and are constantly seeking it out, anywhere they can. Who can't imagine a life without it. They're enlightened.”

“Maybe that was the thing about beginnings - they always seemed better than middles or endings. And if only I ever had beginnings and my past was so perfect, then the future would never measure up. I didn't want to live like that.”