“I laughed at his honesty. I like people who say what they are thinking. No need to guess and try strain your nonexistent psychic abilities.”

“I shut the door on him. Men! I find a good guy and now he's acting like a woman.There is no such thing as "Mr. Perfect". And I hate whoever came up with that phrase.”

“I don't know that he said a thing. He smelled strange, I noticed that right away, not rotten like you and Roticella said, more complicated, like an apple that the wasps are flying around, musty, but autumny... I can't explain. But he hissed, and those awful red eyes, like red fire, coals. God, they were anything but dead the way they are in his picture. I could see the iris was dark brown, almost black, and the whites were bloodshot lines... The lashes were thick and Harry I just can't say this right, but the eyes, they weren't repulsive. Evil, evil, but not to turn you away. I... I couldn't stop looking at him. It was like some sort of spider sucking out all my juices. Destroying me right there on the sidewalk. 'And I felt I was going to faint, and I tried, I tried to break out of that stare of his, but I couldn't. He was drawing everything out of me - my job, that you were trying to trap him, even things about me, even personal things. Then... then he was gone.'I was conscious of myself again, it was like I had been left hollow, worthless. I mean something of me went with him and the rest of me wanted to go with him. I'm ashamed, Harry, so ashamed...' She sobbed for a moment, then with difficulty regained her control.”

“That's enough Susy, nuff, nuff.''No, no I just want to say this,' she gasped, on the brink of incoherence. 'His eyes, his face, it's not ugly, and I know if I go back that he'll come and get some more of me... Even when he has drained all I know and when he... God, God, he came at me, at my throat and even then, I couldn't stop him, didn't want to even when I felt his mouth...' She reached to her throat, where her hands fluttered. Her eyes, clear and cornflower blue when they had been so serene a few minutes ago, were stark and tormented. Suddenly she buckled toward him from her propped position, sobbing. He caught her and she wept into his chest.'And the worst thing... the worst thing... is that I want to see him again... Harry, he wanted me to take that cross off, and I did, and I've felt him wanting me now, even now, with blessed Jesus over my bed.”

“Music is a form that tends to give shape to rules, social mores, social attitudes, feelings—it does this in a very beautiful, fluid way. To me the issue of form and formlessness is most strong in the theme of mortality versus a human wish for immortality of a sort. Take, for example, the definition of beauty in fashion. Remember what Alison says at the beginning? She says when she was young she didn’t know what beautiful was. She looked at this woman who everyone was saying was beautiful and she didn’t even know what they were talking about. I experienced that when I was a child. If I loved someone I thought they were really beautiful. And then eventually, I began to get it, the social concept of beauty. Not that I think beautiful is completely imaginary, but beauty is so wide ranging and fluid. Yet there’s a need to say: “This is what it is, and it’s not changing; we’re taking a picture of it to hold it still.” It’s like an impulse to put up a building meant to last forever. An urge to grab and hold something in place when nothing human can be grabbed and held in place. We come into these physical bodies . . . whatever we are takes this shape that is so particular and distinct—eyes, nose, mouth—and then it gradually begins to disintegrate. Eventually it’s going to dissolve completely. It’s a huge problem for people; we can understand it, but it breaks our hearts. And so we’re constantly trying to pin something down or leave a trace that will last forever. “And this is the only immortality you and I may share, my Lolita . . .” What other immortality will anyone share?”

“And I need you, my love," he said. "I need you so much that I panic when I think that perhaps I will not be able to persuade you to come back with me to Enfield. I need you so much that I cannot quite contemplate the rest of my life if it must be lived without you. I need you so much that—Well, the words speak for themselves. I need you.""To look after Augusta?" she said. She dared not hear what he was surely saying. She dared not hope. "To look after Enfield? To provide you with an heir?""Yes," he said, and her heart sank like a stone to be squashed somewhere between her slippers and the parlor carpet."And to be my friend and my confidant and my comfort. And to be my lover.”

“Your heart, Mary Karr, he'd say. His pen touched my sternum, and it felt for all the world like the point of a dull spear as he said, Your heart knows what your head don't. Or won't.”