“a blossom past its perfection, shedding petals like a sad metaphor”

“Yes," said Hardacre, "but it's not real. We're not real. And when the story is all told, when He writes 'The End' at the bottom of the last page, then all this will wrap up. No more Hell, no more Heaven, no more angels, devils, saints or sinners. The story's done. It will be as if we never were”

“I believe you to be Filidor Vesh," said the dwarf."You are entitled to your beliefs, however ill-founded," Filidor replied. "No doubt you will wish to search further for this Vesh, rather than impose your presence upon a man called hence by urgent affairs."The dwarf transferred his grip from Filidor's mantle to his arm. His gaze swept quickly over the young man's features. "This belief is supported by the evidence, since you answer to a point the description furnished me.""You are plainly the dupe of some prankster, who abuses the dignity of your years by sending you on a fool's errand," said Filidor. "Were I you, I would seek out the rascal and thrash him.”

“What are you about?" said the vehicle as a panel popped open to reveal delicate components. "I am not accustomed to such usage."The little man said nothing, but began to rearrange connections and sever some linkages within the autocab's mechanism. The vehicle lurched and then spiraled down to a meadow bordered by trees."I will be compelled to summon assist-" said the car, then broke off as Gaskarth made a final adjustment. The autocab dropped the remaining few inches to the grass, and the dwarf twisted the emergency release handle to open the doors. Filidor followed him out of the autocab."Who am I?" inquired the car. "Have I a function?""Perhaps you are a type of bird," said Gaskarth. "If so, it is your function to fly."The autocab digested this information briefly, then lifted slightly. "Experimentation tends to support the hypothesis," it said, and flew in widening circles out of their ken.”

“Machines were the ideal metaphor for the central pornographic fantasy of the nineteenth century, rape followed by gratitude.”

“What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.”

“I'd rather do something than read about it.""That's fine, but if you do it, and then can't think what it means, it's never much of a memory. Life has more to so with memories of the past and longings for the future than it ever does with *right now*.”