“Every artist is linked to a mistake with which he has a particular intimacy. All art draws its origin from an exceptional fault, each work is the implementation of this original fault, from which comes a risky plenitude and new light.”

“My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the universe?”

“I lean over you, your equal, offering you a mirror for your perfect nothingness, for your shadows which are neither light nor absence of light, for this void which contemplates. To all that which you are, and, for our language, are not, I add a consciousness. I make you experience your supreme identity as a relationship, I name you and define you. You become a delicious passivity.”

“The intoxication of leaving himself, of slipping into the void, of dispersing himself in the thought of water, made him forget every discomfort. And even when the ideal sea which he was becoming ever more intimately had in turn become the real sea, in which he was virtually drowned, he was not moved as he should have been: of course, there was something intolerable about swimming this way, aimlessly, with a body which was of no use to him beyond thinking that he was swimming, but he also experienced a sense of relief, as if he had finally discovered the key to the situation, and, as far as he was concerned, it all came down to continuing his endless journey, with an absence of organism in an absence of sea.”

“I think: there at the point where thought joins with me I am able to subtract myself from being, without diminishing, without changing, by means of a metamorphosis which saves me from myself, beyond any point of reference from which I might be seized. It is the property of my thought, not to assure me of existence (as all things do, as a stone does), but to assure me of being in nothingness itself, and to invite me not to be, in order te make me feel my marvelous absence. I think, said Thomas, and this visible, inexpressible, nonexistent Thomas I became meant that henceforth I was never there where I was, and there was not even anything mysterious about it. My existence became entirely that of an absent person who, in every act I performed, produced the same act and did not perform it.”

“I wanted to see something in full daylight; I was sated with the pleasure and comfort of the half light; I had the same desire for the daylight as for water and air. And if seeing was fire, I required the plenitude of fire, and if seeing would infect me with madness, I madly wanted that madness.”

“As the German expression has it, the last judgement is the youngest day, and it is a day surpassing all days. Not that judgement is reserved for the end of time. On the contrary, justice won't wait; it is to be done at every instant, to be realized all the time, and studied also (it is to be learned). Every just act (are there any?) makes of its day the last day or - as Kafka said - the very last: a dat no longer situated in the ordinary succession of days but one that makes of the most commonplace ordinary, the extraordinary. He who has been the contemporary of the camps if forever a survivor: death will not make him die.”