“What else? A handful of hard white sugar lumps from the supply for the master's table. Sugar and cake and blood and pork. That's what little boys are made of. ”

Meg Rosoff

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“Trying to think inside Finn's head was like committing what our English master called Pathetic Fallacy, the attribution of human emotions to boulders or trees.”


“The boy squirmed, long skinny legs wrapped round each other, rib-cage twisted ninety degrees from his hips in what appeared to be an impossible configuration of limbs. His elbows jutted out abruptly from his sides like some sort of drafting error and (independently aware of their awkwardness) his arms wound themselves round his torso like vines.”


“I studied Finn the way another boy might have studied history, determined to memorize his vocabulary, his movements, his clothes, what he said, what he did, what he thought. What ideas circulated in his head when he looked distracted? What did he dream about?But most of all what I wanted was to see myself through his eyes, to define myself in relation to him, to sift out what was interesting in me (what he must have liked, however insignificant) and distill it into a purer, bolder, more compelling version of myself.The truth is, for that brief period of my life I failed to exist if Finn wasn't looking at me. And so I copied him, strove to exist the way he existed: to stretch, languid and graceful when tired, to move swiftly and with determination when not, to speak rarely and with force, to smile in a way that rewarded the world.”


“As it was, nothing happened except the two of us watching the sea come in and go out again, listening to the birds, sheltering from the rain when it came, and lying silent as the sky changed from blue to white to gold. For hours we lay side by side, breathing softly together, watching thin rivulets of water run down the cliffs and into the sea, feeling the world slowly revolve around us as we leaned into each other for warmth--and for something else, something I couldn't quite name, something glorious, frightening, and unforgettable.”


“Oh, please, Mr. B thinks, not a human. Not another human. He is filled with despair. God's passion for humans always leads to catastrophe, to meteorological upset on an epic scale. What is wrong with the boy that he can't get it up for some nice goddess? Why, oh why, can't he pursue a sensible relationship, one that will not end in disaster?”


“On the warm stone walls, climbing roses were just coming into bloom and great twisted branches of honeysuckle and clematis wrestled each other as they tumbled up and over the top of the wall. Against another wall were white apple blossoms on branches cut into sharp crucifixes and forced to lie flat against the stone. Below, the huge frilled lips of giant tulips in shades of white and cream nodded in their beds. They were almost finished now, spread open too far, splayed, exposing obscene black centers. I've never had my own garden but I suddenly recognized something in the tangle of this one that wasn't beauty. Passion, maybe. And something else. Rage. ”