“She reached out and touched the king’s face, cupping his cheek in her hand.“Just a nightmare,” he said, his voice still rough.The queen’s voice was cool. “How embarrassing,” she said, looking at his maimed arm.The king looked up then, and followed her gaze. If it was embarrassing to wake like a child screaming from a nightmare, how much more embarrassing to be the reason your husband woke screaming. A quick smile visited the king’s face. “Ouch,” he said, referring to more than the pain in his side. “Ouch,” he said again as the queen gathered him into her arms.”
In this passage from Megan Whalen Turner's work, the interaction between the king and queen reveals a complex mix of vulnerability, empathy, and support. Despite the king's physical pain and emotional turmoil, the queen remains composed and offers comfort in a moment of embarrassment and distress. The king's realization of his own role in causing his nightmares adds another layer of complexity to their relationship, showcasing the depth of their emotional connection. The physical gesture of the queen cupping the king's cheek and embracing him conveys a sense of intimacy and solidarity between the two characters.
In this excerpt from Megan Whalen Turner's work, we see the vulnerability and tenderness between a king and queen as they comfort each other after a nightmare. The scene captures a moment of raw emotion and intimacy, highlighting the importance of support and understanding in relationships, even in times of struggle. This theme of compassion and companionship remains relevant in modern relationships, showcasing the power of empathy and love in overcoming difficulties together.
In this passage from Megan Whalen Turner's book, the queen shows her care and concern for the king as he wakes up from a nightmare. The interaction between the king and queen showcases their intimacy and the deep connection they share.
Upon reading this excerpt from Megan Whalen Turner's work, take a moment to reflect on the dynamics between the characters and the emotions they are experiencing. Consider the following questions:
“He limped slowly over to his own wooden sword and stooped awkwardly to pick it up. Trailing it on the ground behind him, he limped toward the queen, and the courtyard quieted as he approached and was silent again as he dropped to his knees before her and laid the sword across her lap.“My Queen,” he said.“My King,” she said back.Only those closest saw him nod his rueful acceptance. He lifted his hand to brush her cheek softly. As the entire court listened breathlessly, he said, “I want my breakfast.”The queen’s lips thinned, and she shook her head as she said, “You are incorrigible.”
“He looked at her and tilted his head very slightly in wonder. He had forgotten, as he always forgot, how beautiful she was. Her hair was held away from her face by the ruby and gold headband that crossed her dark brows. Her skin was flawless and so fair as to be translucent. She dressed as always in an imitation of Hephestia, but it was far easier to imagine the impersonal cruelty of the Great Goddess than to see cruelty in the face in the Queen of Attolia. Looking at her, Eugenides smiled. Attolia saw his smile, without any hint of self-effacement or flattery or opportunism, a smile wholly unlike that of any member of her court, and she hit him across the face with her hand. His head rocked on his shoulders. He made no sound but sank to his knees...”
“Sophos, you sleep with a knife under your pillow? I'm hurt.""I'm sorry," said Sounis, afraid that he had made contact with his wild swing."I was joking. Wake up the rest of the way, would you?""Gen, it's the middle of the night.""I know," said the king of Attolia.Sounis tried to rub the sleep out of his eyes. He was sitting up in his bed. The sky was still entirely dark, and he couldn't have been asleep for long. He suspected that he had just dropped off. The bare knife was still in his hand, he realized, and he rooted under his pillow for the sheath."Don't you trust my palace security?""Yes, of course," Sounis said, trying to think of some other reason besides mistrust to sleep with a knife. He heard Eugenides laugh."My queen and I sleep with a matched set under our pillows, as well as handguns in pockets on the bedposts. Don't be embarrassed.”
“Lilies, I rule, heads, you do," he [the King] said, and threw the coin into the air."Lilies, you rule, heads, you throw again," said Attolia.The coin dropped. Eugenides looked at it and then showed it to her. "No need," he said. The coin sat in his palm, obverse, showing the lilies of Attolia. He flipped it again and again and again. Each time it landed showing the lilies. ...(Relius)He wanted to dismiss the coin toss as slight of hand. Any circus performer could control the drop of a coin, but he'd been puzzled. The queen had been undismayed; she had seemed almost vindicated in her manner. It had been the King who was more disturbed with each toss of the coin. He'd looked almost sick, Relius thought, by the time he put the coin away....Walking away along the arcade that lay perpendicular to the one where Relius lurked, the king pulled the coin from his pocket. He looked at the gold stater in sudden disgust and pitched it hard between the columns of the arcade into the shrubbery.”
“After one moment of gripped immobility, the queen bent to kiss the king lightly on one closed eyelid, then on the other. She said, 'I love your eyes.' She kissed him on either cheek, near the small lobe of his ear. 'I love your ears, and I love'-she paused as she kissed him gently on the lips-'every single one of your ridiculous lies.' The king opened his eyes and smiled at the queen in a companionship that was as unassailable as it was unfathomable.”
“You have to believe him, because he's going to have your entire palace up in arms and your court in chaos and every member of it from the barons to the boot cleaners coming to you for his blood, and you are going to have to deal with it."Attolia smiled. "You make him sound like more trouble than he is worth."No," said Eddis thoughtfully. "Never more than he is worth.”