“Look, I really don't want to wax philosophic, but I will say that if you're alive, you've got to flap your arms and legs, you got to jump around a lot, you got to make a lot of noise, because life is the very opposite of death. And therefore, as I see it, if you're quiet, you're not living. You've got to be noisy, or at least your thoughts should be noisy, colorful and lively.”

“If you're quiet, you're not living. You've got to be noisy and colorful and lively.”

“You've got to rely on people. I know you're hurting because of all the bad things that have happened to you, but in order to live, truly live, you've got to feel pain, you've got to trust, and you've got to love.”

“I've developed a theory that there's an inverse relationship between money and imagination. That if you've got lots of imagination then you don't really need much money, and if you've got lots of money then you won't bother with much imagination. You've got to be able to pay your bills, otherwise you're not going to sleep at night. But beyond that, the world inside my head has always been a far richer place than the world outside it. I suppose that a lot of my art and writing are meant to bring the two together.”

“Do you say that tree isn't pretty cause it doesn't look like that tree? We're all trees. You're a tree. I'm a tree. You've got to love your body, Eve. You've got to live your tree. Love your tree. (Leah)”

“You're fucked. You thought you were going to be someone, but now it's obvious you're nobody. You haven't got as much talent as you thought you had, and there was no Plan B, and you got no skills and no education, and now you're looking at forty or fifty years of nothing. Less than nothing, probably. That's pretty heavy. That's worse than having the brain thing, because what you got now will take a lot longer to kill you. You've got the choice of a slow, painful death, or a quick, merciful one.”