“This is what you remember about him: not much, but then you have been assiduous in your forgetting. His red sweater, v-neck, cashmere; the clink of ice-cubes in a glass. He is shadow and voice, but you cannot recall his face. He is behind a closed door, in a forbidden room. He is asleep in his armchair, he is asleep in the driveway, asleep in your sandpit, face down, snoring but not harmless, even then. He is shouting, he is whispering, he is close but also remote as if at the end of a long hallway and you cannot hear him. His words never make any sense, he speaks some other language. His hands sometimes spin away from him like windmills, like pinwheels and Catherine wheels, snapping like firecrackers. There must be pain, but you cannot feel it.Your skin bruises like apples.”

“Asmoday is the flower that bloomed despite the spoiled soil he emerged from. You tried to make him like you, but he is too much like his mother. Even your influence cannot change his heart.”

“Sometimes I have the feeling that we're in one room with two opposite doors and each of us holds the handle of one door, one of us flicks an eyelash and the other is already behind his door, and now the first one has but to utter a word ad immediately the second one has closed his door behind him and can no longer be seen. He's sure to open the door again for it's a room which perhaps one cannot leave. If only the first one were not precisely like the second, if he were calm, if he would only pretend not to look at the other, if he slowly set the room in order as though it were a room like any other; but instead he does exactly the same as the other at his door, sometimes even both are behind the doors and the the beautiful room is empty.”

“Sometimes I have the feeling that we're in one room with two opposite doors and each of us holds the handle of one door, one of us flicks an eyelash and the other is already behind his door, and now the first one has but to utter a word ad immediately the second one has closed his door behind him and can no longer be seen. He's sure to open the door again for it's a room which perhaps one cannot leave. If only the first one were not precisely like the second, if he were calm, if he would only pretend not to look at the other, if he slowly set the room in order as though it were a room like any other; but instead he does exactly the same as the other at his door, sometimes even both are behind the doors and the the beautiful room is empty." Franz Kafka (in a letter to Milena Jesenska)”

“Varian cringed as Merewyn faced him. If he looked half as bad as he suspected, he wouldn’thave blamed her had she run for the door. “You don’t have to do this.” She stepped into his arms. “Yes, Varian, I do.” She brushed the matted hair back from his face. “I don’t care what you look like. It’s you I love, not your looks. Your humor, your kindness, even that little snuffle snore you make when you sleep.” “I don’t snore.” She laughed. “Yes, you do.” And with that she pulled his lips to hers.”

“You were dancing with Yuki and I looked at you. And you turned away and held her closer. Why did you do that? If you didn't want to hurt me, then why?"He looked away, as though he'd been slapped, but he didn't look guilty. He looked pained. "I closed my eyes," he said, his voice so low and strangled she could hardly hear him."What?" she asked, not understanding."Tamani held up a hand and Laurel realized he hadn't finished-he was having trouble speaking at all. "I closed my eyes," he repeated after a few shallow breaths, "and imagined she was you."He looked at her, his face open, his eyes honest, his voice a song of anguish.”