“God knows what possessed me, but having that science book in my hand propelled me to immediate action. So I hit her with it.”

“These people have history and I crave history. I crave someone knowing me so well that they can tell what I'm thinking. Jonah Griggs takes my hand under the table and links my fingers with his and I know that I would sacrifice almost anything just to keep this state of mind, for the rest of the week at least.”

“He took my hand, made me stand on the branch and asked, "What can you see from here?" "Nothing" I said,"Know what I can see? From this distance everything is so bloody perfect".”

“What did she say to you?""Nothing.""Oh, great. I have to try to get you out of this mess after you hit a girl for nothing," he whispered angrily. "Josephine, don't waste my time. You don't seem like a violent type. She had to have said something to rile you."I just don't like her. She's vain. She puts her hair all over my books when she sits in front of me in class.""So you hit her?""No ... yes.""A girl puts her hair all over your books, so you break her nose?""Well, I don't think it's broken, personally.""Doctor Kildare, we are not here to give a medical opinion. I want to know what she said to you.""God," I yelled exasperated. "She said something to upset me, okay?""What? That you were ugly? That you smell? What?"I looked horrified."I'm not ugly. I don't smell."He sighed and took off his glasses, sitting down in front of me and pulling my chair towards him. "I was just asking for a reason.""Never mind," I said."That creep out there wants -you to pay for his daughter's nose-job. Because of that nose-job she will be a famous model one day and you'll be working in a fast-food chain because you couldn't finish your Higher School Certificate due to expulsion. Now tell me what she said.""There's nothing wrong with a fast-food chain," I said, thinking of my McDonald's job."I'm really getting pissed off now, Josephine. You called me out of work for this and you won't tell me why.""Just go," I said, as he stood up and paced the room."I'll defend myself in court."He groaned and looked up to the ceiling pulling his hair. "God save me from days like this," he begged."Go," I yelled."Okay. Let him win. He's a creep. Creeps always win," he said walking to the door. "But don't think you're going to make it in a court room, young lady. If you can't be honest, don't expect to stand up in a court room and defend honesty.""She called me a wog, amongst other things," I said, finally. "I haven't been called one for so long. It offended me. It made me feel pathetic.""Did you provoke her?""Yes. I called her a racist pig due to some things she was saying.""Is she one?""God, yes. The biggest.”

“I watch Raffy as she removes the pickles from her hamburger and hands them over to Santangelo without them exchanging a word and I realize again there is more to that relationship than spelling bees and being enemies. These people have history and I crave history. I crave someone knowing me so well that they can tell what I'm thinking.”

“What happens when she's not my memory anymore? What happens when she's not around to tell me about his belt leaving scars across my two-year-old brother's face or when he whacked her so hard that she lost her hearing for a week? Who'll be my memory?"Santangelo doesn't miss a beat. "I will. Ring me.""Same," Raffy says.I look at him. I can't even speak because if I do I know I'll cry but I smile and he knows what I'm thinking.”

“There’s a moment in [Anne of Green Gables] where Anne Shirley (great character) […] is in the same classroom as Gilbert Blythe and she hit’s him over the head with a slate, which is their kind of writing tool, and I always say that moment for me was just, I was just absolutely mesmerised. I thought it was so romantic, though she hated his guts. I would always say that in every one of my novels there is a moment where my characters metaphorically hit their potential love interests over the head with a slate. It could be that winning an argument or getting the upper hand, an example in say The Piper’s Son could be here’s Tom thinking it will be easy, text messaging Tara saying ‘How’s it going, babe’ and her response, that for me is the hitting someone over the head with a slate. It happens in Saving Francesca when she kind of meets Will and Will’s such a bastard to her. So they’re moments I kind of adopted and I loved that particular one, so I would say [L.M. Montgomery] was a major influence.”