“What about the contacts your mum had?” his dad asked.“I rang and spoke to four very polite computers who gave me all these options and then cut out on me. Then I tried the post office, because they were advertising, and I spoke to another computer. Very rude, that one. Don’t think it recognized ‘Are you shitting me?’ as an option.”“You know why that is?”“Why is that, Dominic?” Tom had asked drolly, because he knew he was going to be told why.“Because we don’t live in a society anymore, Tom. We live in an economy. We’re not citizens. We’re customers. That’s what this government’s done to us.”
“What the hell do you want from me?” “What are you trying to do to me?”“Stop! Just stop!” he spits.“Why? What else needs to be said? I think you’ve told me enough lies for a lifetime.”“No more lies,” he says angrily. “I don’t even want to talk to you anymore. I just want to hear you tell me that you don’t feel anything for me. That you want me to leave you alone and never come back. Then I’ll go. If that’s what you really want, I’ll go.”“Don’t. Please don’t say it.”“Why?”“Because I don’t want you to. I need you to come back to me. Not to help me. Or to help my father. I’m done with that. I don’t want your help. It all boils down to you. I just want you.”“I just want you.”“Okay.”
“I know, Kiera,” he said soothingly. “That’s why I don’t really buy the rumors. Because I know you, and I know you wouldn’t put up with him cheating on you.” As guilt flooded me, he added, “We’re a lot alike in that way.”
“There had been a computer he had also built himself on the farthest corner of the room, but he had sold that a couple of months ago to buy me a necklace. I wore it then, it was two silver hearts linked as one. That’s what he and I were, we we’re one.”
“Ask me again why I don’t want you traveling with the team.”“Why?”He slid his thumb across her bottom lip. “Because you drive me insane.”
“We live in a society and a culture and an economic model that tries to make everything look right. Look at computers. Why are they all putty-colored or off-fucking-white? You make something off-white or beige because you are afraid to use any other color – because you don’t want to offend anybody. But by definition, when you make something no one hates, no one loves it. So I am interested in imperfections, quirkiness, insanity, unpredictability. That’s what we really pay attention to anyway. We don’t talk about planes flying; we talk about them crashing.”