“God was something I did not understand the way kids who went to church did. They said God was a man in the sky with white hair and a beard like Santa. This seemed strange to me. When I thought of God, I imagined only mist over the pond, a sliver of moon in a dark sky, scatterings of stars, birdsong.”

“Later when I thought of the chickens, one of those rare pale blue eggs rose up into my throat. The chickens had been part of our family, and the egg in my throat was the feeling of something missing. It was hard and smooth and heavy, but also so fragile it might break and make me cry. It was the feeling of growing out of a favorite shirt, milk spilled on the floor, the last bit of honey in the jar, falling apple blossoms. It was the lump in the throat behind everything beautiful in life.”

“Though his health and family had been broken in the process, he'd found his purpose in life — to share the ancient key discovered anew in the garden: if we feed the earth, it will feed us.I see that is the secret, too, to living. Though the earth demands its sacrifices, spring will always return”

“To succeed at this life, they had to constantly feed their vision of it, or it would wither and die”

“It had seemed too whimsival on the occasions when she'd worn it, a quirky and impractical gift from a husband who hadn't lived to see her wear it. I never thought about the fact that, as Estella Marino, she was literally Star of the Sea. My grandfather had."I don't suppose I have much of a choice now," I said aloud."The admirable thing, darling Ella," came Edward's reply, "is that you ever thought you did.”

“I used to always worry about money and where it would come from, but now I know that God is the supplier and the giver of good gifts.”

“I don't know how you hear music. I imagine that if you like music at all then it has, in your head, some kind of third dimension to it, a dimension suggesting space as well as surface, depth of field as well as texture.Speaking for myself, I used to hear "buildings"... three-dimensional forms of architectural substance and tension. I did not "see" these buildings in the classic synaesthetic way so much as sense them. These forms had "floors", "walls", "roofs", "windows", "cellars". They expressed volume. Music to me has always been a handsome three-dimensional container, a vessel, as real in its way as a Scout hut or a cathedral or a ship, with an inside and an outside and subdivided internal spaces.I'm absolutely certain that this "architecture" had everything to do with why music has always exerted such a hold over me. I think music was the structure in which I learned to contain and then examine emotion.”