“After history, which I occasionally enjoy, and French, which I tres don't, I have double art. The art studio hasn't been changed in, like, a hundred years. The floors are battered and creaky and covered with so many layers of dried paint that if looks like Jackson Pollock Was Here, minus the cigarette butts.Apparently, past generations of Willing Art Girls had tossed their cigarettes onto the tiled window well outside rather than onto the floor. "They were more ladylike," Cat Vernon told me once, pointing out the window beside her easle. The butts are gone, but there are burn marks, scattered like leopard spots,over the terra-cotta surface.”

“In spite of the cold I took a seat at one of the sidewalk tables. It felt like a slab of ice under my butt. I shivered,but stuck it out."Hey, Loco Girl!"Shout out "Hey, Gorgeous!" or "Einstein," and I don't budge. But this one had me at "Loco." Go figure. I looked across the sidewalk to see Daniel's face, so much like Frankie's, framed in the window of his Jeep. I felt a sad little tug in my chest."You are aware it's only forty degrees out there,aren't you?" he asked. I shrugged. "Meeting someone?""No," I admitted."Then get in.Your hands look like wax. It's seriously creepy."I looked down at the hand gripping the blindingly cheerful cup.He was right.He also got out to open the passenger's-side door for me. I was a little charmed, until he pointed at my partially eaten cheesesteak in its wilted paper wrapper. "You are not bringing that thing into my car. It's an abomination."I eyed the cigarette he'd dropped in the gutter. He did his teeth-baring thing. I tossed my cold meal in the trash, knowing I wouldn't have eaten it anyway. The inside of the Jeep wasn't all that much warmer than out. "Here." Daniel took off his black leather jacket and held it out for me. It was heavy and smelled a little bit like a burned cookie. It went on over my own coat; the sleeves went past my fingertips. "You look like frozen-""Don't say it," I muttered as I settled into the battered seat."You have no idea what I was going to say," he shot back, grinning. "Something rotten in the state of Marino?""And you ask that because...?""Really? It's four in the afternoon, and instead of being with Sadie and my brother or at home, eating something colorful, you're sitting outside by yourself here.Not exactly rocket science.”

“I like your hair," he said quietly, "but I think you'd look good whatever you did with it."Here's the thing.He looked like he meant it, and like it had been the most natural thing in the world to say. I blinked at him."Okay," I said. "You want to know something about me that I don't really want to tell you? How about this. I dont get it.This.I hate that I don't. I wish I were the kind of girl who took guys like you as my sovereign right in life. But I don't.""Yeah,I've sorta figured that out,too." He let go of my hair and put his hand on my waist, so his thumb was against my skin. I shivered. "Here's my first reveal for the night. One day, not so long ago, I'm just sitting in the dining room, digesting, minding my own business-literally. Trying to decide whether the second hamburger had been such a good idea and whether to break up with my girlfriend of a year and a half. Then I try to stand up, and suddenly there's this really pretty girl doubled over and looking at my book like it was covered with crap-""I wasn't.""Yeah.You were. So there you were, with that amazing face and a yard of hair that smelled like flowers, and all this stuff drawn on your jeans. I really liked that.""You liked my jeans.""Among other things.But, jeez, Ella. After that, if you weren't making me feel like I had the IQ of a stone, your friends were looking at me like I'd crawled out from under one. I won't even go into what you obviously think of my friends.""Chase Vere is a reptile.”

“I started to turn toward the closest bus stop. Alex turned the other way. "Suivez-moi," he commanded. So I followed. "Bon.Je pensais que nous irions-""Alex."He stopped. "Ella.""Don't do that, the immersion thing.""Mais, c'est tres important.""Alex.""Ella.""Please.I know you do this with other linguistic losers, but it makes me feel like I should have a great big L lipsticked onto my forehead in some swirly French calligraphy.""Do you often contemplate decorating yourself in such a manner?"I took a quick look down.I was wearing Sienna's turtleneck again, but my own jeans. There was a large blue sea horse from the art museum fountain running from my knee to the crease of my thigh. "Yeah," I admitted. "I do.""Quelle horreur!" he declared, eyes round in mock distress."Casse-toi."He let out a bark of laughter that sounded just like a seal. "Tres bien, Mademoiselle Marino. Got any more?""A couple.Frankie gave me a copy of How to Offend the French when I managed to get a B in 1B last year.""Well,I never trade insults on a first date. Not that kinda guy. But after two or three..."I liked that he'd said "date," instead of "tutoring session." Even if it wasn't and he totally didn't mean it. I couldn't help it.”

“I don't like this," he complained. He'd been complaining since I'd scooted off the chaise ten minutes earlier, leaving him on it."Just a little longer.I know it's not your sofa, but it's not that bad."He grimaced. "It smells like wet dog. But what I meant was that I don't think I like posing. How do I know you're not going to give me a beer gut or a third eye?""I've always thought a third eye would be pretty useful." I pictured the Indian miniature art Cat Vernon had introduced me to and imagined Alex blue, with multiple arms. It was, probably, just what he expected. "And in what universe would there be an even remotely compelling reason for me to give you any sort of gut whatsoever? You're gonna have to trust me, Sushi Boy.”

“There was something written in pencil in the bottom corner, smudged and faded. I leaned in until my nose was almost pressed against the glass. Narnia, it looked like.I must have stared for a lot longer than it seemed.A tap on the door had my jumping. "Ella?" A second later. "Um...Ella? You okay in there?"Alex looked red-faced and startled when I jerked the door open. Even more so when I grabbed his wrist with both of my hands and pulled him into the bathroom. Another time,I might have been equally red-faced. I would definitely have been uncomfortable, even if it wasn't in a bad way. But at the moment,I was too busy in a different part of my head.I let go of him and pointed to the sketch. "That's a Willing.""Is it?" He didn't look particularly impressed. More relieved that I hadn't fallen and hit my head or had some similar mishap."Edward Willing. You have to know who Edward Willing is."He peered past me. "Philadelphia painter. Early twentieth century, right? I was in your art history class last year,you know."I didn't.Not really. "You were?""I sat in back.You sat in front. Never saw your face during class,but I remember you arguing with Evers about Dali.I remember. You don't like Dali.""Not much.""You like this guy?""Yeah." I took a breath. "Yeah.I do. And you have one of his sketches. In your guest bathroom.”

“They came in to look. I watched them. Most people go through museums like they do Macy's: eyes sweeping the display, stopping only if something really grabs their attention. These two looked at everything. They both clearly liked the bicycle picture. Yup, Dutch, I decided.He was a few steps ahead when he got to my favorite painting there. Diana and the Moon. It was-surprise surprise-of Diana, framed by a big open window, the moon dominating the sky outside. She was perched on the windowsill, dressed in a gauzy wrap that could have been nightclothes or a nod to her goddess namesake. She looked beautiful, of course, and happy, but if you looked for more than a second, you could see that her smile had a teasing curve to it and one of her hands was actually wrapped around the outside frame. I thought she looked like she might swing her legs over the sill and jump, turning into a moth or owl or breath of wind even before she was completely out of the room. I thought she looked, too, like she was daring the viewer to come along. Or at least to try.The Dutch guy didn't say anything. He just reached out a hand. His girlfriend stepped in, folding herself into the circle of his outsretched arm. They stood like that, in front of the painting, for a full minute. Then he sneezed.She reached into her pocket and pulled out a tissue.He took in and, without letting go of her, did a surprisingly graceful one-handed blow. Then he crumpled the tissue and looked around for a trash can. There wasn't one in sight. She held out her free hand; he passed over the tissue, and she stuck it right back into her pocket. I wanted to be grossed out. Instead, I had the surprising thought that I really really wanted someone who would do that: put my used Kleenex in his pocket. It seemed like a declaration of something pretty big.Finally,they finished their examination of Diana and moved on.There wasn't much else, just the arrogant Willings and the overblown sunrise. They came over to examine the bronzes.She saw my book. "Excuse me. You know this artist?"Intimately just didn't seem as true anymore. "Pretty well," I answered."He is famous here?""Not very.""I like him." she said thoughtfully. "He has...oh, the word...personism?""Personality?" I offered."Yes!" she said, delighted. "Personality." She reached behind her without looking. Her boyfriend immediately twined his fingers with hers. They left, unfolding the map again as they went, she chattering cheerfully. I think she was telling him he had personality. They might as well have had exhibit information plaques on their backs: "COUPLE." CONTEMPORARY DUTCH. COURTESY OF THE ESTATE OF LOVE, FOR THE VIEWING PLEASURE (OR NOT) OF ANYONE AND EVERYONE.”