“Favorite painting...?""Painting? Odalisque," I said."Really.His non-nude nude. Interesting."It was,to me. Edward's most famous painting of Diana is Troie, where he painted her as Helen of Troy: naked except for the diamond bracelet and the occasional tendril of auburn hair. It had caused quite a stir at its exhibition. Apparently, Millicent Carnegie Biddle fainted on seeing it. It wasn't quite what she was used to viewing when she sat across from Mrs. Edward Willing every few weeks, sipping tea from Wedgewood china cups. Odalisque was more daring in its way, and infinitely more interesting to me. Most of the Post-Impressionist painters did an odalisque, or harem girl, reclining on a sofa or carpet, promising with their eyes that whatever it was that they did to men, they did it well. An odalisque was almost compulsory material.But unlike any of them,Edward had painted his subject-Diana-covered from neck to ankle in shimmery gauze.Covered,but still the ultimate object of desire."Why that one?" Dr. Rothaus asked."I don't know-""Oh,please.Don't go all stupid teenager on me now.You know exactly why you like the painting.Humor me and articulate it."I felt myself beginning the ubiquitos shoulder dip. "Okay. Everyone is covering up something. I guess I think there's an interesting question there.""'What are they hiding?'"I shook my head. "'Does it make a difference?'""Ah." One sharp corner of her mouth lifted. I would hesitate to call it a smile. "That is interesting.But your favorite Willing piece isn't a painting.""How-""You hesitated when I asked. Let me guess...Ravaged Man?""How-""You're a young woman. And-" Dr. Rothaus levered herself off the desk-"you went through the 1899 file. I know the archive.”

“I think he painted the way he did," I answered, "because he had something perfect with Diana."I braced myself for her next scathing insight and nearly fell over when she reached out to pat my hand. Her wedding ring was a heavy,hammered gold band that could probably pound nails."Nothing but the occasional espresso is perfect," she said, not unkindly. "Let me share some wisdom, Willing Girl. Relationships are like Whack-a-Mole. You squash one annoying deformity and another one pops up in no time."Not your classic sentiment, there. Or a particularly heartening one. It seemed well meant, though, so I figured it might be a good time to inform her, "Um, my name....is Ella. Marino.""Oh,I know who you are, Miss Marino," she shot back. "Shall I mention again that the Willing Foundation doesn't?""No,Dr. Rothaus," I said meekly. "No need.""Excellent." Dr. Rothaus headed for the door. "You may call me Maxine. Good luck finding something I haven't. And don't cry on the materials.”

“She had a point,you know," Edward commented a few hours later. "Unnecessarily crude, perhaps, but apt. Our public personas frequently do not match our private ones. You, of all people, should know that.""This isn't about me," I said grumpily. "This is about needing to find more information about the private you.Something I don't already know.""I have terribly ugly feet.""Not what I had in mind.And probably untrue anyway."Edward glanced down at the empty space below his rib cage. "Probably. So, what did you have in mind?""A letter,maybe.From Diana.Something that connected your love to your work.""I rather thought I did that through my paintings.""You did.I mean, that's what attracted me to you in the first place.Well, o, that was your smile, probably,but the paintings helped. It's just that I need to know more about your muse.""Ah, darling Ella, the artist's muse is Ego.Nothing more.""You don't mean that.You married Diana because she made you feel like no one else in the universe ever did or could."He nodded. "She was extraordinary.""But not everyone saw that.Your family went nuts.Half of your friends stopped inviting you over, at least for a while.""Their loss. She was a woman who comes along once in a lifetime.”

“I noticed that she left her office door open, too.So she could keep an eye on me, no doubt, in case I decided to grab the andirons and make a run for it.I stood for a minute, taking it all in. Not what I'd expected at all. And Edward hadn't been any help: "Heavens, how should I know what's there? Whatever was left after my collective vulture of a family descended,I assume..."The first thing I did was to sit down on the sofa. The old leather creaked loudly enough to make me flinch. But it was worth risking the return of Dr. Rothaus to sit where Edward had sat. Only, it didn't feel very significant. Just cold and little slippery.”

“Are his letters to Diana downstairs?"She sighed. "What is it about girls and letters? My husband left me messages in soap on the bathroom mirror. Utterly impermanent.Really wonderful-" She broke off and scowled. I would have thought she looked a little embarrassed, but I didn't think embarrassment was in her repertoire. "Anyway. Most of the correspondence between the Willings is in private collections. He had their letters with him in Paris when he died. In a noble but ultimately misguided act, his attorney sent them to his neice. Who put them all in a ghastly book that she illustrated. Her son sold them to finance the publication of six even more ghastly books of poetry. I trust there is a circle of hell for terrible poets who desecrate art.""I've seen the poetry books in the library," I told her. "The ones with Edward's paintings on the covers. I couldn't bring myself to read them.""Smart girl. I suppose worse things have been done, but not many.Of course, there was that god-awful children's television show that made one of his landscapes move.They put kangaroos in it. Kangaroos. In eastern Pennsylvania.""I've seen that,too," I admitted. I'd hated it. "Hated it.Not quite as much as the still life where Tastykakes replaced one orange with a cupcake, or the portrait of Diana dressed in a Playtex sports bra, but close.""Oh,God. I try to forget about the bra." Dr. Rothaus shuddered. "Well, I suppose they do far worse to the really famous painters.Poor van Gogh. All those hearing-aid ads.""Yeah." We shared a moment of quiet respect for van Gogh's ear.”

“None were particularly interesting, although I got a kick out of a note from the Philadelphia Zoo suggesting that since the tiger was not entirely reliable around humans, perhaps Mr. Willing would consider a leopard for his painting instead. It had been a pet until the demise (natural) of its owner and would, if not firmly admonished, climb into a person's lap, purring, and drool copiously.I pulled a sheet of scrap paper (the Stars spent a lot of time sending all-school e-mails about recycling) out of my bag and made a note on the blank side: "Leopard in The Lady in DeNile?" It wasn't my favorite, Cleopatra Awaiting the Return of Anthony. It was a little OTT, loaded with gold and snake imagery and, of course, the leopard. Diana hadn't liked the painting,either, apparently; she was the one who'd given it the Lady in DeNile nickname.I wondered if the leopard had drooled on her.None of the papers were personal, but they were Edward's and some were special, if you knew about his life. There was a bill from the Hotel Ritz in Paris in April 1890, and one from Cartier two months later for a pair of Tahitian pearl drop earrings. Diana was wearing them in my favorite photograph of the two of them: happy and visibly tanned, even in black and white, holding lobsters on a beach in Maine. "I insisted we let them go," Diana wrote in a letter to her niece. "Edward had a snit.He wanted a lobster dinner, but I could not countenance eating a fellow model.”

“Well,that all worked out nicely," Edward said from my hand."Yup." I sat down and propped the postcard upright against my books. "Thanks.""Whatever for?""Being real,I guess. I'm pretty sure this paper about your life will get me into NYU.Which,when you think about it, is a pretty great gift from a guy I've never met who's been dead for a hundred years."Edward smiled. It was nice to see. "My pleasure,darling girl. I must say, I like this spark of confidence in you.""About time,huh?""Yes,well.Have you forgiven the Bainbridge boy?""For...?""For hiding you.""He wasn't.I was hiding me." I gave Edward a look before he could gloat. "Yeah,yeah. You've always been very wise. But this isn't really about my forgiving Alex,is it?"He had the grace to look a little embarrassed. "I suppose not. So?""So.I think you were a good guy, Edward. I think you probably would have told everyone exactly how you felt about Marina of you could have.If she hadn't been married, maybe, or if you'd lived longer. I think maybe all the pictures of you did of her were your public delcaration. Whaddya think? Can I write that? Is it the truth?""Oh,Ella." His face was sad again, just the way he'd cast it in bronze. But it was kinda bittersweet now, not as heartbroken. "I would give my right arm to be able to answer that for you.You know I would.""You don't have a right arm,Mr. Willing. Left,either." I picked up the card again. "Fuhgeddaboudit," I said to it. "I got this one covered."I tucked my Ravaged Man inside Collected Works. It would be there if I wanted it.Who knows. Maybe Edward Willing will come back into fashion someday,and maybe I'll fall for him all over again.In the meantime, I had another guy to deal with.I sat down in front of my computer.It took me thirty seconds to write the e-mail to Alex. Then it took a couple of hours-some staring, some pacing,an endless rehearsal dinner at Ralph's, and a TiVo'd Christmas special produced by Simon Cowell and Nigel Lythgoe with Nonna and popcorn-for me to hit Send.”