“None were particularly interesting, although I got a kick out of a note from the Philadelphia Zoo suggesting that since the tiger was not entirely reliable around humans, perhaps Mr. Willing would consider a leopard for his painting instead. It had been a pet until the demise (natural) of its owner and would, if not firmly admonished, climb into a person's lap, purring, and drool copiously.I pulled a sheet of scrap paper (the Stars spent a lot of time sending all-school e-mails about recycling) out of my bag and made a note on the blank side: "Leopard in The Lady in DeNile?" It wasn't my favorite, Cleopatra Awaiting the Return of Anthony. It was a little OTT, loaded with gold and snake imagery and, of course, the leopard. Diana hadn't liked the painting,either, apparently; she was the one who'd given it the Lady in DeNile nickname.I wondered if the leopard had drooled on her.None of the papers were personal, but they were Edward's and some were special, if you knew about his life. There was a bill from the Hotel Ritz in Paris in April 1890, and one from Cartier two months later for a pair of Tahitian pearl drop earrings. Diana was wearing them in my favorite photograph of the two of them: happy and visibly tanned, even in black and white, holding lobsters on a beach in Maine. "I insisted we let them go," Diana wrote in a letter to her niece. "Edward had a snit.He wanted a lobster dinner, but I could not countenance eating a fellow model.”

“All this shouldn't last; but it will, always; the human 'always' of course, a century, two centuries... and after that it will be different, but worse. We were the Leopards, the Lions; those who'll take our place will be little jackals, hyenas; and the whole lot of us, Leopards, jackals, and sheep, we'll all go on thinking ourselves the salt of the earth.”

“The last fire in the drawer was 1890. It was the year Edward painted Across the Delaware (acquired in 1961 by Jacqueline Kennedy and now hanging in the White House foyer), the year he married Diana (April), and the year he nearly made her a widow on their extended honeymoon (May) when he overestimated the water temperature at the cliffs in Brontallo, Switzerland, and had to be pulled, nearly unconscious and hyppthermic, from the water by a pair of passing Norwegian tourists in a rowboat.”

“It's raining in Washington tonight. Plump, warm summer rain that covers the sidewalks with leopard spots. Downtown, elderly ladies carry their houseplants out to set them on the fire-escapes, as if they were infirm relatives or Boy Kings. I like that.”

“Favorite painting...?""Painting? Odalisque," I said."Really.His non-nude nude. Interesting."It was,to me. Edward's most famous painting of Diana is Troie, where he painted her as Helen of Troy: naked except for the diamond bracelet and the occasional tendril of auburn hair. It had caused quite a stir at its exhibition. Apparently, Millicent Carnegie Biddle fainted on seeing it. It wasn't quite what she was used to viewing when she sat across from Mrs. Edward Willing every few weeks, sipping tea from Wedgewood china cups. Odalisque was more daring in its way, and infinitely more interesting to me. Most of the Post-Impressionist painters did an odalisque, or harem girl, reclining on a sofa or carpet, promising with their eyes that whatever it was that they did to men, they did it well. An odalisque was almost compulsory material.But unlike any of them,Edward had painted his subject-Diana-covered from neck to ankle in shimmery gauze.Covered,but still the ultimate object of desire."Why that one?" Dr. Rothaus asked."I don't know-""Oh,please.Don't go all stupid teenager on me now.You know exactly why you like the painting.Humor me and articulate it."I felt myself beginning the ubiquitos shoulder dip. "Okay. Everyone is covering up something. I guess I think there's an interesting question there.""'What are they hiding?'"I shook my head. "'Does it make a difference?'""Ah." One sharp corner of her mouth lifted. I would hesitate to call it a smile. "That is interesting.But your favorite Willing piece isn't a painting.""How-""You hesitated when I asked. Let me guess...Ravaged Man?""How-""You're a young woman. And-" Dr. Rothaus levered herself off the desk-"you went through the 1899 file. I know the archive.”

“I walked along the side with the spray-painted trees, some in white like a starched chemical snowfall, others painted gold, pink, red, even black. The black tree, about three feet high, looked like it had been burnt. I wondered who would want a black tree, but I knew someone would. There was no limit to the ways in which people could be strange." ~ White Oleander”