“No one talks about it. No one talks about them at all. “The Ancients prefer discretion,” Mom once told me. But some say it’s because they’re so freakish we’d drop dead of fright. Others say they’re too attractive, too tempting. I prefer this theory.”

“Maybe it’s not, in the end, the virtues of others that so wrenches our hearts as it is the sense of almost unbearably poignant recognition when we see them at their most base, in their sorrow and gluttony and foolishness. You need the virtues, too—some sort of virtues—but we don’t care about Emma Bovary or Anna Karenina or Raskolnikov because they’re good. We care about them because they’re not admirable, because they’re us, and because great writers have forgiven them for it.”

“...So I stopped talking about it. There's no need to talk, because the truth of what one says lies in what one does.”

“Yet, in the middle of all this grief, I realize there’s a part of me clinical enough to want to document it. People talk about artists like they’re these sensitive, delicate beings who don’t use the toilet, but I think the real ones are something else. They’re users. They’re mercenaries. They’re hunters. And they don’t let anything – other people, or themselves – get in the way of it.”

“It’s going to happen, people are going to talk and that’s great. If people are talking, they’re being entertained in one way or another, so carry on.”

“Sometimes are feats aren’t so fabulous, they’re just dubious—but either way, they’re fun to talk about.”