“I sometimes think about old tombs and weedsThat interwreathe among the bones of kingsWith cold and poisonous berry and black flower:Or ruminate upon the skulls of steedsFrailer than shells and on those luminous wings -The shoulder blades of Princes of fled power,Which now the unrecorded sandstorms grindInto so wraith-like a translucencyOf tissue-thin and aqueous bone- A Reverie of Bone”

“Take him away. Prepare a feast. Forget nothing. My crown: the golden cutlery. The poison bottles; and the fumes; the wreaths of ivy and the bloody joints; the chains; the bowl of nettles; the spices; the baskets of fresh grass; the skulls and spines; the ribs and shoulder-blades. Forget nothing or, by the blindness of my sockets, I will have your hearts out. Take him away...”

“Swelter's eyes meet those of his enemy, and never has there held between four globes of gristle so sinister a hell of hatred. Had the flesh, the fibres, and the bones of the chef and those of Mr Flay been conjured away and away down that dark corridor leaving only their four eyes suspended in mid-air outside the Earl's door, then, surely, they must have reddened to the hue of Mars, reddened and smouldered, and at last broken into flame, so intense was their hatred - broken into flame and circled about one another in ever-narrowing gyres and in swifter and yet swifter flight until, merged into one sizzling globe of ire they must surely have fled, the four in one, leaving a trail of blood behind them in the cold grey air of the corridor, until, screaming as they fly beneath innumerable arches and down the endless passageways of Gormenghast, they found their eyeless bodies once again, and reentrenched themselves in startled sockets.”

“How's the blood-stream, my dear, invaluable little woman? How's the blood-stream?"..."It's quite comfortable, sir...I think, sir, thank you."..."Aha!"..."a comfortable stream, is it? Aha! v-e-r-y good. V-e-r-y good. Dawdling 'twixt hill and hill, no doubt. Meandering through groves of bone, threading the tissues and giving what sustenance it can to your dear old body...I am so glad. But in yourself - right deep down in yourself - how do you feel? Carnally speaking, are you at peace - from the dear grey hairs of your head to the patter of your little feet - are you at peace?" "What does he mean, dear?" said poor Mrs. Slagg, clutching Fuschia's arm...."He wants to know if you feel well or not.”

“One thing at a time,' said the Boy. 'You must be patient. This is a day of hope and wild revenge. Do not interrupt me. I am a courier from another world. I bring you golden words.Listen!' said the Boy. 'Where I come from there is no more fear. But there is a roaring and a bellowing and a cracking of bones. And sometimes there is silence when, lolling on your thrones, your slaves adore you.”

“Through her, in microcosm, the wide earth sobbed. The starglobe sank in her; the colours faded. The death-dew rose and the wild birds in her breast climbed to her throat and gathered songless, hovering, all tumult, wing to wing, so ardent for those climes where all things end.”

“It was a long head.It was a wedge, a sliver, a grotesque slice in which it seemed the features had been forced to stake their claims, and it appeared that they had done so in a great hurry and with no attempt to form any kind of symmetrical pattern for their mutual advantage. The nose had evidently been first upon the scene and had spread itself down the entire length of the wedge, beginning among the grey stubble of the hair and ending among the grey stubble of the beard, and spreading on both sides with a ruthless disregard for the eyes and mouth which found precarious purchase. The mouth was forced by the lie of the terrain left to it, to slant at an angle which gave to its right-hand side an expression of grim amusement and to its left, which dipped downwards across the chin, a remorseless twist. It was forced by not only the unfriendly monopoly of the nose, but also by the tapering character of the head to be a short mouth; but it obvious by its very nature that, under normal conditions, it would have covered twice the area. The eyes in whose expression might be read the unending grudge they bore against the nose were as small as marbles and peered out between the grey grass of the hair.This head, set at a long incline upon a neck as wry as a turtle's cut across the narrow vertical black strip of the window.Steerpike watched it turn upon the neck slowly. It would not have surprised him if it had dropped off, so toylike was its angle.As he watched, fascinated, the mouth opened and a voice as strange and deep as the echo of a lugubrious ocean stole out into the morning. Never was a face so belied by its voice.The accent was of so weird a lilt that at first Steerpike could not recognize more than one sentence in three, but he had quickly attuned himself to the original cadence and as the words fell into place Steerpike realised he was staring at a poet.”