“She could feel the blood flowing within her and she felt that she must die or break forth into leaves and flowers. It was not passion she felt: not the passion of the body, though that was there, but rather an exultation, a reaching for life, for the whole of the life which she was capable, and in that life which she but dimly divined was centered love, the love for a man. She was not in love with Rantel: she was in love with what he meant to her as someone she could love.”

“Behind him she saw something which by contrast with the alien incalculable figure before her, was close and real. It was something which she understood, something which she could never do without, or be without, for it seemed as though it were her own self, her own body, at which she gazed and which lay so intimately upon the skyline. Gormenghast. The long, notched outline of her home. It was now his background. It was a screen of walls and towers pocked with windows. He stood against it, an intruder, imposing himself so vividly, so solidly, against her world, his head overtopping the loftiest of its towers.”

“Keda,' she said to herself,' Keda, this is tragedy.' But as her words hung emptily in the morning air, she clenched her hands for she could feel no anguish and the bright bird that had filled her breast was still singing... was still singing.”

“She tossed her long hair and it flapped down her back like a pirate's flag. She stood in about as awkward a manner as could be concieved. Utterly un-feminine – no man couldd have invented it.”

“I know she’ll hate him. She likes to be the only one, you know. She likes to dream that she’s queen and that when the rest are dead there’ll be no one who can order her to do anything. She said, dear, that she’d burn down the whole place, burn down Goremenghast when she was ruler and she’d live on her own, and I said she was wicked, and she said that everyone was- everyone and everything except rivers, clouds, and some rabbits. She makes me frightened sometimes.”

“From daybreak to sunset she turned her thoughts, like boulders, over. She set them in long lines. She rearranged their order...”

“But there were also times when she cried out in the darkness biting her lips - cried out against the substance of her age: for it was now that she should be young; now above all other times, with the wisdom in her, the wisdom that was frittered away in her 'teens', set aside in her twenties, now, lying there, palpable and with forty summers gone. She clenched her hands together. What good was wisdom; what good was anything when the fawn is fled from the grove?”