“The Greeks, or more correctly the Athenians, invented the idea of theatre, as they invented so many other social and cultural institutions which the west then came to take for granted. There is nothing self-evident about the idea of theatre, of plays and players through whom private individuals, lacking priestly or other authority, publicly examined man's fate and commented on it by a poetic play which, despite the many traditional elements, was in its essential qualities a creation of the playwright.”

“Alongside the development of theatres came the growth of an acting culture; in essence it was the birth of the acting profession. Plays had generally been performed by amateurs - often men from craft guilds. Towards the end of the sixteenth century there developed companies of actors usually under the patronage of a powerful or wealthy individual. These companies offered some protection against the threat of Puritan intervention, censorship, or closure on account of the plague. They encouraged playwrights to write drama which relied on ensemble playing rather than the more static set pieces associated with the classical tradition. They employed boys to play the parts of women and contributed to the development of individual performers. Audiences began to attend the theatre to see favourite actors, such as Richard Burbage or Will Kempe, as much as to see a particular play.Although the companies brought some stability and professionalism to the business of acting - for instance, Shakespeare's company, the Lord Chamberlain's, subsequently the King's, Men, continued until the theatres closed (1642) - they offered little security for the playwright. Shakespeare was in this respect, as in others, the exception to the rule that even the best-known and most successful dramatists of the period often remained financially insecure.”

“The war of ideas is a Greek invention. It is one of the most important inventions ever made. Indeed, the possibility of fighting with with words and ideas instead of fighting with swords is the very basis of our civilization, and especially of all its legal and parliamentary institutions.”

“The quality of a play is the quality of its ideas.”

“Each photograph is read as the private appearance of its referent: the age of Photography corresponds precisely to the explosion of the private into the public, or rather into the creation of a new social value, which is the publicity of the private: the private is consumes as such, publicly.”

“But further, Hobbesian individualism required that traditional independent social authorities be eliminated or suppressed. Benjamin Constant, who was a keen observer of the French Revolution, explained why: "The interests and memories which spring from local customs contain a germ of resistance which is so distasteful to authority that it hastens to uproot it. Authority finds private individuals easier game: its enormous weight can flatten them out effortlessly as if they were so much sand.”