“Forget about what you are escaping from. Reserve your anxiety for what you are escaping to.”

“The newspaper articles that Joe had read about the upcoming Senate investigation into comic books always cited "escapism" among the litany of injurious consequences of their reading, and dwelled on the pernicious effect, on young minds, of satisfying the desire to escape. As if there could be any more noble or necessary service in life.”

“Having lost his mother, father, brother, an grandfather, the friends and foes of his youth, his beloved teacher Bernard Kornblum, his city, his history—his home—the usual charge leveled against comic books, that they offered merely an escape from reality, seemed to Joe actually to be a powerful argument on their behalf…The escape from reality was, he felt—especially right after the war—a worthy challenge… The pain of his loss—though he would never have spoken of it in those terms—was always with him in those days, a cold smooth ball lodged in his chest, just behind his sternum. For that half hour spent in the dappled shade of the Douglas firs, reading Betty and Veronica, the icy ball had melted away without him even noticing. That was the magic—not the apparent magic of a silk-hatted card-palmer, or the bold, brute trickery of the escape artist, but the genuine magic of art. It was a mark of how fucked-up and broken was the world—the reality—that had swallowed his home and his family that such a feat of escape, by no means easy to pull off, should remain so universally despised.”

“Gwen thinks Lazar disrespected her because she's black. And look I mean you're aware of my policy when it comes to that kind of situation.""Your policy is 'What do I know about being black?'""What do I know about being black?...”

“It seemed to me that Q. was talking about the nature of the midnight disease, which started as a simple feeling of disconnection from other people, an inability to "fit in" by no means unique to writers, a sense of envy and of unbridgeable distance like that felt by someone tossing on a restless pillow in a world full of sleepers. Very quickly, though, what happened with the midnight disease was that you began actually to crave this feeling of apartness, to cultivate and even flourish within it. You pushed yourself farther and farther and farther apart until one black day you woke to discover that you yourself had become the chief object of your own hostile gaze.”

“Back in the summer of 1941, they had stood to lose so much, it seemed, through the shame and ruination of exposure. Sammy could not have known that one day he would come to regard all the things that their loving each other had seemed to put at so much risk – his career in comic books, his relations with his family, his place in the world – as the walls of a prison, an airless, lightless keep from which there was no hope of escape….He recalled his and Tracy’s parting at Penn Station on the morning of Pearl Harbor, in the first-class compartment of the Broadway Limited, their show of ordinary mute male farewell, the handshake, the pat on the shoulder, carefully tailoring and modulating their behavior through there was no one at all watching, so finely attuned to the danger of what they might lose that they could not permit themselves to notice what they had”

“Do what you gotta do and stay fly”