“In [Bloom's] having managed to sustain his curiosity about the people and the world around him after thirty-eight years of familiarity and routine that ought to have dulled and dampened it; and above all in the abiding capacity for empathy, for moral imagination, that is the fruit of an observant curiosity like Bloom’s, I found, as if codified, a personal definition of heroism.Ulysses struck me, most of all, as a book of life; every sentence, even those that laid bare the doubt, despair, shame, or vanity of its characters, seemed to have been calibrated to assert, in keeping with the project of the work as a whole, the singularity and worth of even the most humdrum and throwaway of human days." Michael Chabon”

“When I remember that dizzy summer, that dull, stupid, lovely, dire summer, it seems that in those days I ate my lunches, smelled another's skin, noticed a shade of yellow, even simply sat, with greater lust and hopefulness - and that I lusted with greater faith, hoped with greater abandon. The people I loved were celebrities, surrounded by rumor and fanfare; the places I sat with them, movie lots and monuments. No doubt all of this is not true remembrance but the ruinous work of nostalgia, which obliterates the past, and no doubt, as usual, I have exaggerated everything.”

“I hate it that they even count errors,' Ethan said. . . . 'What kind of game is that? No other sport do they do that, Dad. There's no other sport where they put the errors on the freaking scoreboard for everybody to look at. They don't even have errors in other sports. They have fouls. They have penalties. Those are things that players could get on purpose, you know. But in baseball they keep track of how many accidents you have.'* * *Errors . . . Well, they are a part of life, Ethan,' he tried to explain. 'Fouls and penalties, generally speaking, are not. That's why baseball is more like life than other games. Sometimes I feel like that's all I do in life, keep track of my errors.'But Dad, you're a grown-up,' Ethan reminded him. 'A kid's life isn't supposed to be that way.”

“The other day as I was stepping out of Star Grocery on Claremont Avenue with some pork ribs under my arm, the Berkeley sky cloudless, a smell of jasmine in the air, a car driving by with its window rolled down, trailing a sweet ache of the Allman Brothers' "Melissa," it struck me that in order to have reached only the midpoint of my life I will need to live to be 92. That's pretty old. If you live to be ninety-two, you've done well for yourself. I'd like to be optimistic, and I try to take care of my health, but none of my grandparents even made it past 76, three killed by cancer, one by Parkinson's disease. If I live no longer than any of them did, I have at most thirty years left, which puts me around sixty percent of the way through my time. I am comfortable with the idea of mortality, or at least I always have been, up until now. I never felt the need to believe in heaven or an afterlife. It has been decades since I stopped believing-a belief that was never more than fitful and self-serving to begin with-in the possibility of reincarnation of the soul. I'm not totally certain where I stand on the whole "soul" question. Though I certainly feel as if I possess one, I'm inclined to disbelieve in its existence. I can live with that contradiction, as with the knowledge that my time is finite, and growing shorter by the day. It's just that lately, for the first time, that shortening has become perceptible. I can feel each tiny skyward lurch of the balloon as another bag of sand goes over the side of my basket.”

“Even the most casual study of the record...would show that strange times to be a Jew have almost always been, as well, strange times to be a chicken.”

“It's simply the case that as I get older, I seem every day to give a little bit less of a fuck what people think of or say about me.”

“Back in the summer of 1941, they had stood to lose so much, it seemed, through the shame and ruination of exposure. Sammy could not have known that one day he would come to regard all the things that their loving each other had seemed to put at so much risk – his career in comic books, his relations with his family, his place in the world – as the walls of a prison, an airless, lightless keep from which there was no hope of escape….He recalled his and Tracy’s parting at Penn Station on the morning of Pearl Harbor, in the first-class compartment of the Broadway Limited, their show of ordinary mute male farewell, the handshake, the pat on the shoulder, carefully tailoring and modulating their behavior through there was no one at all watching, so finely attuned to the danger of what they might lose that they could not permit themselves to notice what they had”