“She is, above all else, tired; she wants more than anything to return to her bed and her book. The world, this world, feels suddenly stunned and stunted, far from everything.”

Michael Cunningham

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“Peter's mother was grand, in her way. She managed to complain almost ceaselessly without ever seeming trivial or kvetchy. She was regal rather than crotchety, she had been sent to live in this world from a better one, and she saved herself from mere mean-spiritedness by offering resignation in place of bile - by implying, every hour of her life, that although she objected to almost everybody and everythng she did so because she'd presided over some utopia, and so knew from experience how much better we all could do. She wanted more than anything to live under a benevolent dictator who was exactly like her without being her - if she actually ruled she would relinquish her right to object, and without her right to object who and what would she be?”


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“She lays the book face down on her chest. Already her bedroom (no, their bedroom) feels more densely inhabited, more actual, because a character named Mrs. Dalloway is on her way to buy flowers.”


“Her cake is a failure, but she is loved anyway. She is loved, she thinks, in more or less the way the gifts will be appreciated: because they have been given with good intentions , because they exist, because they are part of a world in which one wants what one gets.”


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“She knew she was going to have trouble believing in herself, in the room of her house, and when she glanced over at this new book on her nightstand, stacked atop the one she finished last night, she reached for it automatically, as if reading were the singular and obvious first task of the day, the only viable way to negotiate the transit from sleep to obligation.”