“Silly humans. Banging on a tub to make a bear dance when we would move the stars to pity.”

“It's impossible to imagine, isn't it? Most men probably go through the same motions, more or less, but what's in their minds, what agitates their blood? What could be more mortifyingly personal, what veers closer to the depths, than whatever it is that makes us come? If we knew, if we could see what's in the cartoon balloons over other guy's heads as they jerk off, would we be moved, or repelled?”

“What does it mean to regret when you have no choice? It's what you can bear. And there it is... It was death. I chose life.”

“There are times when you don't belong and you think you're going to kill yourself. Once I went to a hotel. Later that night I made a plan. The plan was I would leave my family when my second child was born. And that's what I did. I got up one morning, made breakfast, went to the bus stop, got on a bus. I'd left a note. I got a job in a library in Canada. It would be wonderful to say you regretted it. It would be easy. But what does it mean? What does it mean to regret when you have no choice? It's what you can bear. There it is. No-one's going to forgive me. It was death. I chose life." -Laura Brown-”

“What marriage doesn't involve uncountable accretions, a language of gestures, a sense of recognition sharp as a toothache? Unhappy, sure. What couple isn't unhappy, at least part of the time? But how can the divorce rate be, as they say, skyrocketing? How miserable would you have to get to be able to bear the actual separation, to go off and live your life so utterly unrecognized?”

“Utter objectivity...is not only impossible when judging literature, it’s not exactly desirable. Fiction involves trace elements of magic; it works for reasons we can explain and also for reasons we can’t. If novels or short-story collections could be weighed strictly in terms of their components (fully developed characters, check; original voice, check; solidly crafted structure, check; serious theme, check) they might satisfy, but they would fail to enchant. A great work of fiction involves a certain frisson that occurs when its various components cohere and then ignite.(Source: "Letter from the Pulitzer Fiction Jury: What Really Happened This Year" in The New Yorker.)”

“A sensation rose in him, a high tingling of his blood. There came a wave, a wind that recognized him, that did not love him or hate him. He felt what he knew as the rising of his self, the shifting innerness that yearned and feared, that was more familiar to him than anything could ever be. He knew that an answering substance gathered around him, emanating from the trees and the stars.He stood staring at the constellations. Walt had sent him here, to find this, and he understood. He thought he understood. This was his heaven. It was not Broadway or the horse on wheels. It was grass and silence; it was a field of stars. It was what the book told him, night after night. When he died he would leave his defective body and turn into grass. He would be here like this, forever. There was no reason to fear it, because it was part of him. What he'd thought of as his emptiness, his absence of soul, was only a yearning for this.”