“Each time you sit down to write, you should cleanse your linguistic palate by reading some things that are vastly unlike what you’ve been writing. As a warm-up activity, you might try actively imitating a writing style different from your own. It’s hard to do and highly unpriming.”

“If only you’d remember before ever you sit down to write that you’ve been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart’s choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won’t even underline that. It’s too important to be underlined.”

“Even if, at the moment, you can't sit down and do the gruntwork of stringing verbs and nouns together, you are writing. It is a way of seeing, a way of being. The world is not only the world, but your personal filing cabinet. You lodge details of the world in your sparkling nerve-library that spirals through your brain and coils down your arms and legs, collects in your belly and your sex. You write, even if you can't always "write." However, writers write. Active, not passive.”

“Writing and reading are the only ways to find your voice. It won't magically burst forth in your poems the next time you sit down to write, or the next; but little by little, as you become aware of more choices and begin to make them -- consciously and unconsciously -- your style will develop.”

“The best advice is not to write what you know, it’s to write what you like. Write the kind of story you like best—write the story you want to read. The same principle applies to your life and your career:”

“if you want your name to be remembered after your death either do something worth writing or write some thing worth reading”