“Under ordinary circumstances, bad art naturally gets sorted out and disappears. That is how history works when it is left alone to do its job. The paradox of the culture wars is that they have made celebrities out of some artists who would otherwise vanish. Censorship has become a growth industry. This may be the best argument, in the end, for unfettered freedom of expression.”

“How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.”

“What genuine painters do is to reveal the underlying psychological and spiritual conditions of their relationship to their world; thus in the works of a great painter we have a reflection of the emotional and spiritual condition of human beings in that period of history. If you wish to understand the psychological and spiritual temper of any historical period, you can do no better than to look long and searchingly at its art. For in the art the underlying spiritual meaning of the period is expressed directly in symbols. This is not because artists are didactic or set out to teach or to make propaganda; to the extend that they do, their power of expression is broken; their direct relations to the inarticulate, or, if you will, 'unconscious' levels of the culture is destroyed. They have the power to reveal the underlying meaning of any period precisely because the essence of art is the powerful and alive encounter between the artist and his or her world." (pg 52)”

“Without our artists and storytellers, we have no history, and without history your future is unmoored -- we drift. It is art, never war, that carries culture forward.”

“There is no ready vocabulary to describe the ways in which artists become artists, no recognition that artists must learn to be who they are (even as they cannot help being who they are.) We have a language that reflects how we learn to paint, but not how we learn to paint our paintings. How do you describe the [reader to place words here] that changes when craft swells to art?"Artists come together with the clear knowledge that when all is said and done, they will return to their studio and practice art alone. Period. That simple truth may be the deepest bond we share. The message across time from the painted bison and the carved ivory seal speaks not of the differences between the makers of that art and ourselves, but of the similarities. Today these similarities lay hidden beneath urban complexity -- audience, critics, economics, trivia -- in a self-conscious world. Only in those moments when we are truly working on our own work do we recover the fundamental connection we share with all makers of art. The rest may be necessary, but it's not art. Your job is to draw a line from your art to your life that is straight and clear.”

“Now a work of art is a work of nature, but it is a work of human nature. It is a work of the mind: and it's a work of the mind in circumstances for an occasion which, to which, for which, and which it may be supremely natural and simple and effective."The Nature of Art" December 19, 1954”