“Commissioner Harris at the far end stared along the mad pathway. This was his first child and it had already become a murderer.”

“Read him slowly, dear girl, you must read Kipling slowly. Watch carefully where the commas fall so you can discover the natural pauses. He is a writer who used pen and ink. He looked up from the page a lot, I believe, stared through his window and listened to birds, as most writers who are alone do. Some do not know the names of birds, though he did. Your eye is too quick and North American. Think about the speed of his pen. What an appalling, barnacled old first paragraph it is otherwise.”

“She had grown older. And he loved her more now than he had loved her when he understood her better, when she was the product of her parents. What she was now was what she herself had decided to become.”

“He turns his back to the far shore and rows toward it. He can in this way travel away from, yet still see, his house....he feels he is riding a floating skeleton...Some birds in the almost-dark are flying as close to their reflections as possible.”

“The jackal with one eye that looks back and one that regards the path you consider taking. In his jaws are pieces of the past he delivers to you, and when all of that time is fully discovered it will prove to have been already known.”

“Half a page --- and the morning is already ancient.”

“In spite of this, our table's status on the Oronsay continued to be minimal, while those at the Captain's Table were constantly toasting to one another's significance. That was a small lesson I learned on the journey. What is interesting and important happens mostly in secret, in places where there is no power. Nothing much of lasting value ever happens at the head table, held together by familiar rhetoric. Those who already have power continue to glide along in the familiar rut they have made for themselves.”