“He had been slowing down, the way one, half asleep, continually rereads the same paragraph trying to find a connection between sentences.”

Michael Ondaatje
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“And as the music ended, he saw her, like a woman in a romance, pull from her cotton sleeve a note that she pushed into his breast pocket. It would burn there unread for another hour as he danced and talked with in-laws who did not matter to him, who got in the way, whose bloodline connection to him or his wife he could not care less about. Everything that was important to him existed suddenly in the potency of Marie-Neige. He could tell what the shallow freize of the wedding party that surrounded them would continue to be, and yet the one he knew best-he could not conceive how she would behave or respond to him in a week, or even in an hour. She had stepped into more than his arms for a dance, had waited for the precise seconds so it was possible and socially forgivable-the sunlit wedding procession, the eternal meal-and she had passed him a billet-doux as if they were within a Dumas. The note she had written said 'Good-bye.' Then it said 'Hello.' And then it reminded him that 'A message sent by pigeon to The Hague can sometimes change everything.' She had, like one of those partially villainous and always evolving heroines, turned his heart over on the wrong day.”


“He knows that the only way he can accept losing her is if he can continue to hold her or be held by her. If they can somehow nurse each other out of this. Not with a wall.”


“He was a man who wrote, who interpreted the world. Wisdom grew out of being handed just the smallest sliver of emotion. A glance could lead to paragraphs of theory.”


“In the morning she found pieces of a birdchopped and scattered by the fanblood sprayed onto the mosquito net,its body leaving paths on the wallslike red snails that drifted down in lumps.She could imagine the featherswhile she had sleptfalling around herlike slow rain.”


“She entered the story knowing she would emerge from it feeling she had been immersed in the lives of others, in plots that stretched back twenty years, her body full of sentences and moments, as if awaking from sleep with a heaviness caused by unremembered dreams.”


“All his life he has avoided permanent intimacy. Till this war he has been a better lover than husband. He has been a man who slips away, in the way lovers leave chaos, the way thieves leave reduced houses.”