“The amateur study of philosophy is like taking a few laps with a NASCAR driver. You’re not qualified to do it on your own, you have no business behind the wheel, but for a few laps or paragraphs, you’re right in there with ‘em, and when it’s all over, you’ve learned something. Or, as my local fire chief once said, you’ve simply exasperated the situation.”

“The pesto and angel hair are warm in the bowl on my lap, the fragrances of olive oil and basil blending the exotic and familiar, equal parts sunny Tuscan hillside and hometown dirt. A meal like this makes you want to live forever, if only for the scent of warm pesto in January.”

“I am no sort of art expert. I have only been to the Whitney once before, on a previous business visit that coincided with the Biennial. I enjoyed great swaths of that, although I was tempted to leave a note for several of the artists that said, "Great Start!" I would write it in crayon and add a smiley face so as not to seem rude. And I just do not have the patience for video installations, having yet to encounter one that conveys the absurdity of the human situation more effectively than a night spent channel surfing in a Motel 6 on the outskirts of Rapid City. But I like to look at everything.”

“[Fire] is lightfooted and shamanic, dancing between the visible and invisible, undoing matter one collapsed molecule at a time, wreaking utter destruction with a touch softer than breath. Its poor cousins, wind and water, are one-dimensional rubes by comparison. Wind is all push, push, push. Water is suffocating, but passively so. And even when water gets it together to be a torrent or a tsunami, it is but wet wind. Fire is at once elemental and otherworldly. Fire dances on the grave of all it destroys. Fire is serious voodoo.”

“Sometimes it’s hard to know when you’ve crossed the line from conscientious to compulsive. When you’re in the thick of an assignment, it’s easy to believe that you must spend so much time brainstorming, researching, writing, testing, revising or what-have-you. Often, it’s only after you’ve been working for hours on end that you realize that half the work you’ve been doing wasn’t actually necessary and that you’ve just wasted a lot of time.”

“Her eyes are wide and steady beneath the brim of her floppy cap. How far out of infancy do we lose this gaze, with its utter absence of expectation or prejudice? What is it like to simply see what is before you, without the skew of context?p 342”

“You take one last look and think it would have been something to climb that silo and peek out the window before the interstate plowed through. To see the land unbroken. You are compelled, of course, to consider how the Ojibwe felt, returning to the campsites at Cotter Creek one day only to hear the sound of sawing and the lowing of oxen. Life will circle around on you. Also visible from the silo window is a gigantic billboard pointed at the interstate and advertising a casino owned by the Ojibwe. The billboard says, WINNERS, 24/7.”