“Look, I get it. I’m a white, heterosexual man. It’s really easy for me to say, ‘Oh, wow, wasn’t the nineteenth century terrific?’ But try this. Imagine the scene: It’s pouring rain against a thick window. Outside, on Baker Street, the light from the gas lamps is so weak that it barely reaches the pavement. A fog swirls in the air, and the gas gives it a pale yellow glow. Mystery brews in every darkened corner, in every darkened room. And a man steps out into that dim, foggy world, and he can tell you the story of your life by the cut of your shirtsleeves. He can shine a light into the dimness, with only his intellect and his tobacco smoke to help him. Now. Tell me that’s not awfully romantic?”