“A stubborn refusal of the conditions of 20th Century 'reality', surrealism has denied intransigently and consistently that modern man can live without a sense of wonder at the world that was once embodied in myth. In approaching literature, it has aimed at restoring to the word its magical qualities. And at giving back to language the elemental power it once had within society. This determinism lies at the heart of the surrealist attitude and distinguishes it radically from the modernism which took shape contemporaneously with it.”
“Almost everything that distinguishes the modern world from earlier centuries is attibutable to science, which achieved its most spectacular triumphs in the seventeenth century.”
“Everything is becoming science fiction. From the margins of an almost invisible literature has sprung the intact reality of the 20th century. ”
“Disgusted by the abuses to which it led, humanity repressed Christianity by which it had so long been dominated. Repressed, but not eliminated. Herein lies, I believe, the essence of the tragedy of modern times. The modern man lives as if Christianity were a negligible hypothesis with no relation to the concrete realities of the world and society. And yet at the bottom of his heart this man remains impregnated with Christianity, so that he lives in a state of perpetual ambivalence with regard to it.”
“In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition.”
“When conditions are such that life offers no earthly hope, somewhere somehow, men must find refuge. Then they fly from the terror without to the citadel within, which famine and pestilence and fire and sword cannot shake. What Goethe calls the inner universe, can live by its own laws, create its own security, be sufficient unto itself, when once reality is denied to the turmoil of the world without.”