“Up before sunrise. Marjorie hated getting out of bed in the dark, but loved the payoff once she was dressed and rolling down the country roads in the first light, cruising and owning them almost alone. The countryside here used to be a lot more interesting, though. She remembered it in her girlhood - orchards, small ranches, farmhouses, each one of these houses a distinct personality... Money, she thought wryly, scanning the endless miles of grapevines, all identically wired and braced and drip-lined, mile after mile - money was such a powerful organizer. As the dawn light gained strength, and bathed the endless vines in tarnished silver, it struck her that there was, after all, something scary about money, that it could run loose in the world like a mythic monster, gobbling up houses and trees, serving strictly its own monstrous appetite. ("The Growlimb")”

“Yet within a miles, Margaret knew of house after house, where she would for her own sake, and her mother for her Aunt Shaw's, would be welcomed, if they came to gladness, or even in peace of mind. If they came sorrowing, and wanting sympathy in a complicated trouble like the present, then they would be felt as a shadow in all these houses of intimate acquaintances.”

“Once an opportunist like Mickey, who took the argument when she jumped on some devastated wretch's machine and jackpotted that it was the "cash-ino's money" she was winning, Moon returned after her six month break with the view that the separation had somehow sweetened the honeypot. The sad reality, she quickly learned, was that she was not irreplaceable; as such, the Casino felt no compunction to welcome her back with multi-jackpots. Instead, it took her money everyday and did not once give her a jackpot so that she could say, "Ah. They missed me." Instead, all she could keep saying was, "Verr-y bed. Verr-y bed. Suck-ah all my money!”

“If her death wakes something in the deep, then she will bring more shame down on her House with that one act than she could have accomplished in a lifetime of disobedience. They will hate her for it. I wonder if Lady Malker has already struck her daughter’s name from the family tree.”

“I've owned a thousand houses that I've never built," she said. "Never had the money to build. Couldn't have used if I had had the money. Never really wanted to build maybe. But I still own the houses."--Karen Holmes in From Here To Eternity”

“Then came "The Song of Darkness," the last of the three songs, and the one most filled with longing and majesty. The soul of Ember was in this song. Its tremendous chords held all the sorrow and all the strength of the people of the city. The song reached its climax: "Darkness like an endless night," sang the hundreds of voices, so powerfully the air seemed to shiver. And at that moment, the lights once more went out. The voices faltered, but only for an instant. Then they rose again in the darkness, stronger even than before. Lina sang, too. She stood up and sang with all her might into the deep, solid blackness.”