“But if it so happens ... a work ... under pain of otherwise becoming shameful or false, requires fantasy ... [and that] certain limbs or elements of a figure are altered by borrowing from other species, for example transforming into a dolphin the hinder end of a griffon or a stag ... these alterations will be excellent and the substitution, however unreal it may seem, deserves to be declared a fine invention in the genre of the monstrous.When a painter introduces into this kind of work of art chimerae and other imaginary beings in order to divert and entertain the senses and also to captivate the eyes of mortals who long to see unclassified and impossible things, he shows himself more respectful of reason than if he produced the usual figures of men or of animals.”

“A man does not live for himself alone in this mortal body to work for it alone, but he lives also for all men on earth; rather, he lives only for others and not for himself. To this end he brings his body into subjection that he may the more sincerely and freely serve others.”

“he looked to her like an absurd twentieth-century Hamlet, an indecisive figure so mesmerized by onrushing tragedy that he was helpless to divert its course or alter it in any way.”

“Man has been reared by his errors: first he never saw himself other than imperfectly, second he attributed to himself imaginary qualities, third he felt himself in a false order of rank with animal and nature, fourth he continually invented new tables of values and for a time took each of them to be eternal and unconditional...If one deducts the effect of these four errors, one has also deducted away humanity, humaneness, and 'human dignity'.”

“Earthly friends may alter their minds regarding the work in which we are engaged; but if indeed we work for God, whoever may alter His mind regarding our service, He will not. Earthly friends may lose their ability to help us, however much they desire so to do; but He remains throughout eternity the infinitely Rich One.”

“I also want the figurative like a painter who only paints abstract colors but wants to show that he does so because he chooses to, not because he can't draw.”