“[T]hus one should not think that desire is repressed, for the simple reason that the law is what constitutes both desire and the lack on which it is predicated. Where there is desire, the power relation is already present: an illusion, then, to denounce this relation for a repression exerted after the event.”

“...it's my hypothesis that the individual is not a pre-given entity which is seized on by the exercise of power. The individual, with his identity and characteristics, is the product of a relation of power exercised over bodies, multiplicities, movements, desires, forces.”

“There is no power relation without the correlative constitution of a field of knowledge, nor any knowledge that does not presuppose and constitute at the same time power relations”

“there is no escaping from power, that it is always-already present constituting that very thing which one attempts to counter it with.”

“A real subjection is born mechanically from a fictitious relation [...] He who is subjected to a field of visibility, and who knows it, assumes responsibility for the constraints of power; he makes them play spontaneously upon himself; he inscribed in himself the power relation in which he simultaneously plays both roles; he becomes the principle of his own subjection.”

“It is pointless to ask: Why then is sex so secret? What is this force that so long reduced it to silence and has only recently relaxed its hold somewhat, allowing us to question it perhaps, but always in the context of and through its repression? In reality, this question, so often repeated nowadays, is but the recent form of a considerable affirmation and a secular prescription: there is where the truth is; go see if you can uncover it. [...] It is reasonable therefore to ask first of all: What is this injunction? Why this great chase after the truth of sex, the truth in sex?”

“To imagine writing as absence seems to be a simple repetition, in transcendental terms, of both the religious principle of the inalterable and yet never fulfilled tradition, and the aesthetic principle of the work's survival, its perpetuation beyond the author's death, and it enigmatic excess in relation to him.”