“When we think about the present, we veer wildly between the belief in chance and the evidence in favour of determinism. When we think about the past, however, it seems obvious that everything happened in the way that it was intended.”
“Life is painful and disappointing. It is useless, therefore, to write new realistic novels. We generally know where we stand in relation to reality and don’t care to know any more.”
“No subject is more touched on than love, in the human life stories as well as in the literary corpus they have left us... No subject, either, is as discussed, as controversial, especially during the final period of human history, when the cyclothymic fluctuations concerning the belief in love became constant and dizzying. In conclusion, no subject seems to have preoccupied man as much; even money, even the satisfaction derived from combat and glory, loses by comparison, its dramatic power in human life stories. Love seems to have been, for humans of the final period, the acme and the impossible, the regret and the grace, the focal point upon which all suffering and joy could be concentrated.”
“I am persuaded that feminism is not at the root of political correctness. The actual source is much nastier and dares not speak its name, which is simply hatred for old people. The question of domination between men and women is relatively secondary—important but still secondary—compared to what I tried to capture in this novel, which is that we are now trapped in a world of kids. Old kids. The disappearance of patrimonial transmission means that an old guy today is just a useless ruin. The thing we value most of all is youth, which means that life automatically becomes depressing, because life consists, on the whole, of getting old.”
“As soon as the genome had been cmpletely decoded (which would be in a matter of months) humanity would have complete control of its evolution; when that happened sexuality would be seen for what it really was: a useless, dangerous, and regressive function.”
“I feel as if things are falling apart within me,like so many glass partitions shattering. I walk from place to place in the grip of afury, needing to act, yet can do nothing about it because any attempt seems doomedin advance. Failure, everywhere failure. Only suicide hovers above me, gleaming andinaccessible.”
“Back in Paris they had happy moments together, like stills from a perfume ad (dashing hand in hand down the steps of Montmartre; or suddenly revealed in motionless embrace on the Pont des Arts by the lights of a bateau-mouche as it turned). There were the Sunday afternoon half-arguments, too, the moments of silence when bodies curl up beneath the sheets on the long shores of silence and apathy where life founders. Annabelle's studio was so dark they had to turn on the lights at four in the afternoon. They sometimes were sad, but mostly they were serious. Both of them knew that this would be their last human relationship, and this feeling lacerated every moment they spent together. They had a great respect and a profound sympathy for each other, and there were days when, caught up in some sudden magic, they knew moments of fresh air and glorious, bracing sunshine. For the most part, however, they could feel a gray shadow moving over them, on the earth that supported them, and in everything they could glimpse the end.”