“Fabian had succeeded. She caught his eye and the two of them shared a look; it was the kind of look children wear when they know they've gotten away with something. At the same moment, Warwick and Florence also shared a look. Theirs was the kind of look adults wear when they know that somehow they have been well and truly hoodwinked, but are clueless as to the how and why, and know only that there's absolutely nothing they can do about it.”

“How do you know this?Because I'm always watching people. When I watch people I too look through them. I learned that from my mother. To glance is not enough; eyes and brains together, acting like a flock of ravenous birds, flapping, tearing, poking... I know everything about people when I look at them for only a moment. I can tell from their clothes, their walks, their hair and hands, I know all the bad things that they've done. I know how they've failed and how they will fail and how miserable they are.”

“She looks sad. She looks angry. She looks different from everyone else I know—she cannot put on that happy face others wear when they know they are being watched. She doesn’t put on a face for me, which makes me trust her somehow.”

“Another thing I've been trying to do on my walks is to know what I'm looking at, when I'm looking at it. I want to be smart. When I walk down the sidewalk I see about a hundred different kinds of bugs and all I do is point at them like a caveman and say 'Ugh, look, a bug,' but I know each one of them must have a different name and a different reason why and how it came to be on the planet, and I don't know any of that stuff.”

“A game: say something. Close your eyes and say something. Anything, a number, a name. Like this (she closes her eyes): Two, two what? Two women. What do they look like? Wearing black. Where are they? In a park. . . . And then, what are they doing? Try it, it's so easy, why don't you want to play? You know, that's how I talk to myself when I'm alone, I tell myself all kinds of stories. And not only silly stories: actually, I live this way altogether.”

“You can always tell when a town has gone bad. People gather in little groups, talking in low voices. Their postures are taut and awkward. They have the look of those who have been brushed by brutality and do not know how to cope with it—a look of shame, as if they had somehow caused the violence that frightens them.”