“from What to Read by Mickey Pearlman - A book for book clubsFrom chapter -- "How to Read":Rule 1: BAN at the outset any discussion that focuses on "Did you like the book." This is not a popularity contest, any worthwhile piece of fiction or non-fiction, no matter how beloved or detested teaches the reader something.”

“I can't believe how many students don't read. They want to be writers, but they haven't read anything at all. They have looked at book covers, which usually allows them enough expertise to sneer, but they haven't read the books. How many young poets "don't like" poetry? How many fiction writers don't know Lehane from Nevada Barr?”

“A lot of the people who read a bestselling novel, for example, do not read much other fiction. By contrast, the audience for an obscure novel is largely composed of people who read a lot. That means the least popular books are judged by people who have the highest standards, while the most popular are judged by people who literally do not know any better. An American who read just one book this year was disproportionately likely to have read ‘The Lost Symbol’, by Dan Brown. He almost certainly liked it.”

“I'm a slow reader, but I usually get through seventy or eighty books a year, most fiction. I don't read in order to study the craft; I read because I like to read”

“Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.”

“If the reader prefers, this book may be regarded as fiction. But there is always the chance that such a book of fiction may throw some light on what has been written as fact.”