“Living for Sabina meant seeing. Seeing is limited by two borders: strong light, which blinds, and total darkness. Perhaps that was what motivated Sabina's distaste for all extremism. Extremes mean borders beyond which life ends, and a passion for extremism, in art and in politics, is a veiled longing for death.”

“extremes mean borders beyond which life ends…and a passion for extremism is a veiled longing for death.”

“Seeing is limited by two borders: Strong light, which blinds, and total darkness.”

“Passion lends them power, time means to meet, tempering extremities with extremes sweet.”

“My conduct with my friends is motivated: each being is, I believe, incapable on his own, of going to the end of being. If he tries, he is submerged within a "private being" which has meaning only for himself. Now there is no meaning for a lone individual: bing alone would of itself reject the "private being" if it saw it as such (if I wish my life to have meaning for me, it is necessary that it have meaning for others: no one would dare give to life a meaning which he alone would perceive, from which life in its entirety would escape, except within himself). At the extreme limit of the "possible", it is true, there is nonsense . . . but only of that which had a prior sense: this is fulguration, even "apotheosis" of nonsense. But I don't attain the extreme limit on my own and, in actual fact, I can't believe the extreme limit attained, for I never remain there. If I had to be the only one having attained it (assuming that I had . . .), it would be as thought it had not occurred. For if there subsisted a satisfaction, as small as I can imagine it to be, it would distance me as much from the extreme limit. I cannot for a moment cease to incite myself to attain the extreme limit, and cannot make a distinction between myself and those with whom I desire to communicate.~George Bataille, "Inner Experience" pg. 42”

“Für Sabina bedeutet Leben Sehen. Das Sehen wird durch zwei Pole begrenzt: das grelle, blendende Licht und das absolute Dunkel. […] Extreme markieren Grenzen, hinter denen das Leben zu ende geht, und die Leidenschaft für Extreme, in der Kunst wie in der Politik, ist eine verschleierte Todessehnsucht.”